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Josefin Arnell 1984
Woont in Amsterdam. Werkt in Amsterdam.
Vertegenwoordigd door:
Galerie Stigter Van Doesburg
Floating between aspects of documentary and fiction, Josefin Arnell’s work methodically navigates the space between exuberance and self-exploitation. Her often favored medium of video freely traverses digital and physical boundaries, including performance, installation, objects, poetry and drawings. Through storytelling, loose narratives are often centered around characters that attempt to navigate contemporary infrastructures with impossible demands. These characters veer toward endless monologues rather than conversations, meanwhile interlacing in a sort of metasphere to compose a script. By often choosing to work with non-actors, she captures a rawness that reflects an emotional landscape exploring unattainable desires, perfectionism and control. The teenage girl, the horse and the mother are recurring characters alongside clumsy allegories wrestling with conflicts of the human condition or environmental catastrophes.
Kunstwerken
Media
Highlights
Over de kunstenaar
In collectie van
Tentoonstellingen
Marktpositie
CV
Aangeboden kunstwerken van Josefin Arnell
Media
Den blomstertid nu kommer, (Now the time of blossoming arrives), 2018, 02:00 min
Mothership, aka Josefin´s mother, shoots beer cans while singing Den blomstertid nu kommer (Now the time of blossoming arrives), a popular Swedish hymn enchanting the forthcoming summer times.
Tentoonstellingen
In museumcollectie van:
Van Abbemuseum
Marktpositie
In 2018, Josefin Arnell was awarded the Theodora Niemeijer Prijs—a prize for emerging female artists based in the Netherlands, which additionally resulted in a commissioned exhibition at Van Abbe Museum (Eindhoven). Arnell’s work has also been presented at International Documentary Film Festival (Amsterdam), Kunsthalle Münster (Münster), Beursschouwburg (Brussels), Contemporary Art Center Vilnius (Vilnius), and Moscow International Biennale for Young Art 2018 (Moscow). From 2015 to 2016, she participated in the two-year residency program Rijksakademie van Beeldende kunsten (Amsterdam). She holds an MA in Dirty Art from Sandberg Instituut (Amsterdam).