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Jan Henderikse begon zijn kunstenaars carrière als informeel schilder. In 1960 was hij medeoprichter van de Nederlandse Nul-groep en begon hij te experimenteren met assemblages van bestaande materialen zoals kurken, kratten bier, nummerplaten en geld. In het midden van de jaren '70 hield Henderikse zich bezig met film, het publiceren van ‘limited editions’, ‘photo sequences’ en installaties van gevonden en afgewezen foto’s.
Henderikse gebruikt ongegeneerd alle materialen die op zijn pad komen. De originaliteit van zijn werk ligt in de methode: seriële composities en zijn presentatie van stukjes werkelijkheid, zonder verder commentaar.
Henderikse gebruikt ongegeneerd alle materialen die op zijn pad komen. De originaliteit van zijn werk ligt in de methode: seriële composities en zijn presentatie van stukjes werkelijkheid, zonder verder commentaar.
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In museumcollectie van:
Walker Art Center, Minneapolis
M HKA Antwerpen
Museum het Valkhof
Kröller-Müller Museum
Groninger Museum
Van Abbemuseum
Museum Jan Cunen
Berlin State Museum
Centraal Museum Utrecht
Stedelijk Museum Amsterdam
Museum Boijmans van Beuningen
Stedelijk Museum Schiedam
Museum Voorlinden
Pinakothek, Munich
CODA
Museum of Modern Art
National Gallery of Canada
Prinsenhof
The Art Institute of Chicago
Tate Modern, London
Sørlandets Kunstmuseum (SKMU)
Gemeentemuseum, Den Haag
Brooklyn Museum of Art
CV
1937
Born January 22 in Delft, the Netherlands.
1952
Henderikse meets his friend and mentor Jan Schoonhoven and starts making drawings.
1955–58
Studies at the Vrije Academie, The Hague, the Netherlands.
1958
On Henderikse’s initiative the first Informal art exhibition takes place in the refectory of Delft Polytechnic College. From this first exhibition emerged the Nederlandse Informele Groep (Dutch Informal Group) with members Armando, Kees van Bohemen, Henderikse, Henk Peeters and Jan Schoonhoven.
1959–1960
Start of an international tour with the Nederlandse Informele Groep, exhibiting in Belgium, Denmark, Germany, Great Britain and the Netherlands. Moves to Cologne, and later to Düsseldorf. Creates his first assemblages using found objects. Contact with the ZERO circle artists. Signs the Oberkasseler Bridge in Düsseldorf as an original artwork, and creates his first installation of wooden vegetable crates.
1961
Formation of the Dutch Nul group, with members Armando, Henderikse, Henk Peeters and Jan Schoonhoven. Participation in international ZERO exhibitions. Travels between Germany, the Netherlands, Belgium and Paris.
1962
Participates in the exhibition Nul (1962) at the Stedelijk Museum Amsterdam, with his installation of wooden beer crates. Henderikse settles in Curaçao, working with assemblages and readymades; creates his first serial works using photographs.
1965
Participation in the São Paulo Art Biennial, Brazil, as official entry of the Dutch Antilles.
1968
Moves to Manhattan, New York, working mainly with assemblages of found objects and photographic sequences. Solo exhibitions at Museo de Bellas Artes, Caracas, and Stedelijk Museum Amsterdam.
1975
Since the mid-1970s Henderikse again takes up working with money in the range from coins to toys to kitsch objects. Participation in international film festivals with his experimental films from 1974–1975.
1980
In the first half of the 1980s, Henderikse works with artist’s books and editions; frequent travels to Berlin, Germany.
1987–88
Moves to Berlin at the invitation of DAAD (German Academic Exchange Service), and has a second studio there until 2000. From the mid-1980s Henderikse focuses on photo objects, additionally working extensively with readymades, junk, toys and kitsch objects. Conceptually based photographic works, multiples and readymades form the center of his work up to today.
1992
Lectures at the Berliner Sommerakademie, Berlin, Germany.
2000
Travels between New York and Antwerp, where he has a second studio, until today.
2007
Extensive solo exhibitions at the Staatliches Museum Schwerin and Stadtgalerie Kiel. Takes part in major group exhibitions in Düsseldorf, Saint-Étienne, London, Amsterdam and New York.
2012
Participation in the exhibition Caribbean: Crossroads of the World, El Museo del Barrio/Queens Museum/The Studio Museum in Harlem, New York. In 2014, the exhibition traveled to Pérez Art Museum Miami (PAMM).
2013
Participation in the exhibition ZERO, Museu Oscar Niemeyer, Curitiba, Brasil. The exhibition traveled to Fundaçāo Iberê Camargo, Porto Alegre, Brasil, and Pinacoteca do Estado de São Paulo, Brazil.
2014–2015
Participation in the exhibition ZERO. Countdown to Tomorrow, 1950s–60s at the Solomon R. Guggenheim Museum, New York. In 2015, the exhibition traveled to Martin-Gropius-Bau, Berlin, and the Stedelijk Museum Amsterdam.
2018
Retrospective solo exhibition, Jan Henderikse. Alles en niets (All and Nothing), at the Stedelijk Museum Schiedam, the Netherlands.
Jan Henderikse lives in Brooklyn, New York.
Born January 22 in Delft, the Netherlands.
1952
Henderikse meets his friend and mentor Jan Schoonhoven and starts making drawings.
1955–58
Studies at the Vrije Academie, The Hague, the Netherlands.
1958
On Henderikse’s initiative the first Informal art exhibition takes place in the refectory of Delft Polytechnic College. From this first exhibition emerged the Nederlandse Informele Groep (Dutch Informal Group) with members Armando, Kees van Bohemen, Henderikse, Henk Peeters and Jan Schoonhoven.
1959–1960
Start of an international tour with the Nederlandse Informele Groep, exhibiting in Belgium, Denmark, Germany, Great Britain and the Netherlands. Moves to Cologne, and later to Düsseldorf. Creates his first assemblages using found objects. Contact with the ZERO circle artists. Signs the Oberkasseler Bridge in Düsseldorf as an original artwork, and creates his first installation of wooden vegetable crates.
1961
Formation of the Dutch Nul group, with members Armando, Henderikse, Henk Peeters and Jan Schoonhoven. Participation in international ZERO exhibitions. Travels between Germany, the Netherlands, Belgium and Paris.
1962
Participates in the exhibition Nul (1962) at the Stedelijk Museum Amsterdam, with his installation of wooden beer crates. Henderikse settles in Curaçao, working with assemblages and readymades; creates his first serial works using photographs.
1965
Participation in the São Paulo Art Biennial, Brazil, as official entry of the Dutch Antilles.
1968
Moves to Manhattan, New York, working mainly with assemblages of found objects and photographic sequences. Solo exhibitions at Museo de Bellas Artes, Caracas, and Stedelijk Museum Amsterdam.
1975
Since the mid-1970s Henderikse again takes up working with money in the range from coins to toys to kitsch objects. Participation in international film festivals with his experimental films from 1974–1975.
1980
In the first half of the 1980s, Henderikse works with artist’s books and editions; frequent travels to Berlin, Germany.
1987–88
Moves to Berlin at the invitation of DAAD (German Academic Exchange Service), and has a second studio there until 2000. From the mid-1980s Henderikse focuses on photo objects, additionally working extensively with readymades, junk, toys and kitsch objects. Conceptually based photographic works, multiples and readymades form the center of his work up to today.
1992
Lectures at the Berliner Sommerakademie, Berlin, Germany.
2000
Travels between New York and Antwerp, where he has a second studio, until today.
2007
Extensive solo exhibitions at the Staatliches Museum Schwerin and Stadtgalerie Kiel. Takes part in major group exhibitions in Düsseldorf, Saint-Étienne, London, Amsterdam and New York.
2012
Participation in the exhibition Caribbean: Crossroads of the World, El Museo del Barrio/Queens Museum/The Studio Museum in Harlem, New York. In 2014, the exhibition traveled to Pérez Art Museum Miami (PAMM).
2013
Participation in the exhibition ZERO, Museu Oscar Niemeyer, Curitiba, Brasil. The exhibition traveled to Fundaçāo Iberê Camargo, Porto Alegre, Brasil, and Pinacoteca do Estado de São Paulo, Brazil.
2014–2015
Participation in the exhibition ZERO. Countdown to Tomorrow, 1950s–60s at the Solomon R. Guggenheim Museum, New York. In 2015, the exhibition traveled to Martin-Gropius-Bau, Berlin, and the Stedelijk Museum Amsterdam.
2018
Retrospective solo exhibition, Jan Henderikse. Alles en niets (All and Nothing), at the Stedelijk Museum Schiedam, the Netherlands.
Jan Henderikse lives in Brooklyn, New York.
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