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Jacqueline de Jong 1939 - 2024
Vertegenwoordigd door:
Dürst Britt & Mayhew
Jacqueline de Jong (b. 1939, Hengelo, The Netherlands) is widely known for her contribution to the European avant-garde of the 1960s. Throughout a career spanning six decades her work has explored the violence, banality, eroticism and humour of human interaction. Painting is the foundation of her practice, which also encompasses drawing, sculpture, printmaking, jewellery and artist books.
In the 1960s she became involved with the radical artists and thinkers of the time, most notably with the Situationist International (SI) and Gruppe SPUR. When de Jong was excluded from the SI, along with the other visual artists, she founded The Situationist Times. Hailed as one of the most important and experimental journals of its time, the publication offered opportunity for collaboration between writers, poets and visual artists. As editor and publisher, she produced six issues between 1962 and 1967. In 1968 she marched with the students in Paris, printing artist posters in support of the movement.
The artist’s painting practice is diverse: declining to progress in a linear fashion, she often doubles back and revisits formal and conceptual concerns. Early works from the 1960s include expressive abstraction, the violent and humorous Accidental Paintings and Suicidal Paintings series, and the witty and erotic Private Lives of the Cosmonauts. Themes of sexual desire, war and violence continue throughout, with the Série Noire of 1980s, the Paysages Dramatiques and paintings of the 1990s that address war more explicitly. During the 2010s, de Jong took inspiration from the monstrous shapes of overgrown potatoes to explore the humorous and grotesque side of nature whilst experimenting with new materials and photographic printing. Her most recent work returns to oil painting and a re-examination of early themes that have new resonance in the present day.
Work by De Jong is held in private and public collections including Centre Pompidou, Paris; Stedelijk Museum, Amsterdam; Musée d’art moderne de la Ville de Paris, CNAP France, Musée les Abattoirs, Toulouse, Moderna Museet, Stockholm; Museum Jorn, Silkeborg; Lenbachhaus, Munich; Henie Onstad Kunstsenter, Oslo; Kunstmuseum Göteborg; MCCA Toronto; MONA, Tasmania; Rachofsky Collection, Dallas; Frans Hals Museum, Haarlem; Museum Arnhem; Cobra Museum for Modern Art, Amstelveen.
On 30 May 2023 Jacqueline de Jong was awarded the prestigious title of Chevalier dans l'Ordre des Arts et des Lettres by François Alabrune, French Ambassador to The Netherlands.
In the 1960s she became involved with the radical artists and thinkers of the time, most notably with the Situationist International (SI) and Gruppe SPUR. When de Jong was excluded from the SI, along with the other visual artists, she founded The Situationist Times. Hailed as one of the most important and experimental journals of its time, the publication offered opportunity for collaboration between writers, poets and visual artists. As editor and publisher, she produced six issues between 1962 and 1967. In 1968 she marched with the students in Paris, printing artist posters in support of the movement.
The artist’s painting practice is diverse: declining to progress in a linear fashion, she often doubles back and revisits formal and conceptual concerns. Early works from the 1960s include expressive abstraction, the violent and humorous Accidental Paintings and Suicidal Paintings series, and the witty and erotic Private Lives of the Cosmonauts. Themes of sexual desire, war and violence continue throughout, with the Série Noire of 1980s, the Paysages Dramatiques and paintings of the 1990s that address war more explicitly. During the 2010s, de Jong took inspiration from the monstrous shapes of overgrown potatoes to explore the humorous and grotesque side of nature whilst experimenting with new materials and photographic printing. Her most recent work returns to oil painting and a re-examination of early themes that have new resonance in the present day.
Work by De Jong is held in private and public collections including Centre Pompidou, Paris; Stedelijk Museum, Amsterdam; Musée d’art moderne de la Ville de Paris, CNAP France, Musée les Abattoirs, Toulouse, Moderna Museet, Stockholm; Museum Jorn, Silkeborg; Lenbachhaus, Munich; Henie Onstad Kunstsenter, Oslo; Kunstmuseum Göteborg; MCCA Toronto; MONA, Tasmania; Rachofsky Collection, Dallas; Frans Hals Museum, Haarlem; Museum Arnhem; Cobra Museum for Modern Art, Amstelveen.
On 30 May 2023 Jacqueline de Jong was awarded the prestigious title of Chevalier dans l'Ordre des Arts et des Lettres by François Alabrune, French Ambassador to The Netherlands.
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Recent solo exhibitions include a retrospective at Musée Les Abattoirs in Toulouse, Same Player Shoots Again! at Malmö Konsthall, Imagination à Rebours at Dürst Britt & Mayhew and Imaginary Disobedience at Château Shatto in Los Angeles. Recent group exhibitions include The Most Dangerous Game at Haus der Kulturen der Welt in Berlin, Nightfall at Mendes Wood DM in Brussels, Defacement at The Club in Tokyo, Die Welt Als Labyrinth at MAMCO in Genève, From Calder to Koons, Jewels of Artists at Musée des Arts Décoratifs in Paris, Section Littéraire at Kunsthalle Bern and The Avant Garde won’t give up: Cobra and its Legacy at Blum & Poe in Los Angeles.
Work by De Jong is held in private and public collections including Moderna Museet, Stockholm; Cobra Museum for Modern Art, Amstelveen; Museum Arnhem; Museum Jorn, Silkeborg; Lenbachhaus, Munich; Henie Onstad Kunstsenter, Oslo; Kunstmuseum Göteborg; MCCA Toronto; Centre Pompidou, Paris; Stedelijk Museum Amsterdam. In 2011 De Jong’s entire archive from the 1960s was acquired by the Beinecke Rare Book & Manuscript Library of the Yale University in New Haven.
Work by De Jong is held in private and public collections including Moderna Museet, Stockholm; Cobra Museum for Modern Art, Amstelveen; Museum Arnhem; Museum Jorn, Silkeborg; Lenbachhaus, Munich; Henie Onstad Kunstsenter, Oslo; Kunstmuseum Göteborg; MCCA Toronto; Centre Pompidou, Paris; Stedelijk Museum Amsterdam. In 2011 De Jong’s entire archive from the 1960s was acquired by the Beinecke Rare Book & Manuscript Library of the Yale University in New Haven.
CV
Jacqueline de Jong
Born 1939 in Hengelo, Netherlands
Lives and works in Amsterdam
Selected Solo and Two-Person Exhibitions
2023 Border...and other Lines, Dürst Britt & Mayhew, The Hague, Netherlands
Pas de deux: Cyclodrama, Chateau Shatto, Los Angeles, US
Vicious Circles, NSU Art Museum Fort Lauderdale, US
2022 Upstairs-Downstairs 1984-1988, Pippy Houldsworth Gallery, London, UK
Some Billiards 1976-1979, Galerie Allen, Paris, France
2021 The Ultimate Kiss, WIELS Contemporary Art Centre, Brussels; touring to MOSTYN Contemporary Art Gallery, Wales; and Kunstmuseum
Ravensburg, Germany
Border-Line, Ortuzar Projects, New York, US
Plankenkoorts, Dürst Britt & Mayhew, The Hague, Netherlands
2020 Same Player Shoots Again: Jacqueline de Jong and The Situationist Times, Treize, Paris Jacqueline de Jong, Galerie Rodolphe Janssen,
Brussels
Resilience(s), Pippy Houldsworth Gallery, London
Sprouted Behaviour, Eenwerk Gallery, Amsterdam
2019 Pinball Wizard: the Work and Life of Jacqueline de Jong, Stedelijk Museum, Amsterdam, Netherlands
Billiards, 1976-78, Chateau Shatto, Los Angeles
Jacqueline de Jong & The Situationist Times: These are the Situationist Times, Museum Jorn, Silkeborg, Denmark
2018 Jacqueline de Jong - Retrospective, Musée Les Abattoirs, Toulouse, France
Jacqueline de Jong & The Situationist Times, Same Player Shoots Again!, Malmö Konsthall, Malmö, Sweden
The Situationist Times: Same Player Shoots Again!, Torpedo/PUB, Oslo, Norway
Fish and Chips, Jacqueline de Jong & Wieske Wester, Dürst Britt & Mayhew, The Hague, Netherlands
Independent Brussels, Brussels, Belgium - presented by Dürst Britt & Mayhew
From Calder to Koons, Jewels of Artists, Musée des Arts Décoratifs, Paris, France
2017 Back to the Future, Artissima, Turin, Italy - presented by Dürst Britt & Mayhew
Paris Internationale, Paris, France - presented by Château Shatto
You say potato…, Galerie MiniMasterpiece, Paris, France
Imagination à Rebours, Dürst Britt & Mayhew, The Hague, Netherlands
Imaginary Disobedience, Château Shatto, Los Angeles, United States
Potato Blues, onestar press, Paris, France
Selected Group Exhibitions
2023 Freedom without Borders, Cobra Museum, Amstelveen
Robert Filliou, Là où tout a commencé, cela commence à nouveau, Immanence, Paris
Stayin’ Alive, Musée d'art de la Province de Hainaut (BPS22), Charleroi
2022 Everyday, Someday and Other Stories, Stedelijk Museum, Amsterdam
Des corps, des écritures, Musée d'Art Moderne, Paris
2021 Peter Ernst Eiffe & Friends, Kunstverein in Hamburg, Hamburg
Drawing Center, New York
Psychic Wounds: on Art and Trauma, curated by Gavin Delahunty, The Warehouse, Dallas She-Bam Pow POP Wizz!, MAMAC Nice
Radio-Activity, Lenbachhaus, Munich
2019 Olaph the Oxman, curated by Tiago de Abreu Pinto, Copperfield Gallery, London
Strategic Vandalism, Friedrich Petzel, New York, United States
2018 The Most Dangerous Game, Haus der Kulturen der Welt, Berlin, Germany
Die Welt als Labyrinth, MAMCO, Genève, Switzerland
Noise!, Frans Hals Museum, Haarlem, Netherlands
De smaak te pakken, Gorcums Museum, Gorinchem, Netherlands
Defacement, The Club, Tokyo, Japan
The odd uneven time, Dürst Britt & Mayhew, The Hague, Netherlands
NADA Miami, Miami, United States - presented by Dürst Britt & Mayhew,
Nightfall, Mendes Wood DM, Brussels, Belgium
70 Jahre Cobra, Die Galerie, Frankfurt am Main, Germany
2017 Section Littéraire, Kunsthalle Bern, Bern, Switzerland
On Plane Air, Air de Paris, Paris, France
Condo New York, with Château Shatto hosted by Foxy Production, New York
MEDUSA: Jewellery and Taboos, Musée d’Art Moderne, Paris. France
The Leftovers, Simon Lee Gallery, New York, United States
Born 1939 in Hengelo, Netherlands
Lives and works in Amsterdam
Selected Solo and Two-Person Exhibitions
2023 Border...and other Lines, Dürst Britt & Mayhew, The Hague, Netherlands
Pas de deux: Cyclodrama, Chateau Shatto, Los Angeles, US
Vicious Circles, NSU Art Museum Fort Lauderdale, US
2022 Upstairs-Downstairs 1984-1988, Pippy Houldsworth Gallery, London, UK
Some Billiards 1976-1979, Galerie Allen, Paris, France
2021 The Ultimate Kiss, WIELS Contemporary Art Centre, Brussels; touring to MOSTYN Contemporary Art Gallery, Wales; and Kunstmuseum
Ravensburg, Germany
Border-Line, Ortuzar Projects, New York, US
Plankenkoorts, Dürst Britt & Mayhew, The Hague, Netherlands
2020 Same Player Shoots Again: Jacqueline de Jong and The Situationist Times, Treize, Paris Jacqueline de Jong, Galerie Rodolphe Janssen,
Brussels
Resilience(s), Pippy Houldsworth Gallery, London
Sprouted Behaviour, Eenwerk Gallery, Amsterdam
2019 Pinball Wizard: the Work and Life of Jacqueline de Jong, Stedelijk Museum, Amsterdam, Netherlands
Billiards, 1976-78, Chateau Shatto, Los Angeles
Jacqueline de Jong & The Situationist Times: These are the Situationist Times, Museum Jorn, Silkeborg, Denmark
2018 Jacqueline de Jong - Retrospective, Musée Les Abattoirs, Toulouse, France
Jacqueline de Jong & The Situationist Times, Same Player Shoots Again!, Malmö Konsthall, Malmö, Sweden
The Situationist Times: Same Player Shoots Again!, Torpedo/PUB, Oslo, Norway
Fish and Chips, Jacqueline de Jong & Wieske Wester, Dürst Britt & Mayhew, The Hague, Netherlands
Independent Brussels, Brussels, Belgium - presented by Dürst Britt & Mayhew
From Calder to Koons, Jewels of Artists, Musée des Arts Décoratifs, Paris, France
2017 Back to the Future, Artissima, Turin, Italy - presented by Dürst Britt & Mayhew
Paris Internationale, Paris, France - presented by Château Shatto
You say potato…, Galerie MiniMasterpiece, Paris, France
Imagination à Rebours, Dürst Britt & Mayhew, The Hague, Netherlands
Imaginary Disobedience, Château Shatto, Los Angeles, United States
Potato Blues, onestar press, Paris, France
Selected Group Exhibitions
2023 Freedom without Borders, Cobra Museum, Amstelveen
Robert Filliou, Là où tout a commencé, cela commence à nouveau, Immanence, Paris
Stayin’ Alive, Musée d'art de la Province de Hainaut (BPS22), Charleroi
2022 Everyday, Someday and Other Stories, Stedelijk Museum, Amsterdam
Des corps, des écritures, Musée d'Art Moderne, Paris
2021 Peter Ernst Eiffe & Friends, Kunstverein in Hamburg, Hamburg
Drawing Center, New York
Psychic Wounds: on Art and Trauma, curated by Gavin Delahunty, The Warehouse, Dallas She-Bam Pow POP Wizz!, MAMAC Nice
Radio-Activity, Lenbachhaus, Munich
2019 Olaph the Oxman, curated by Tiago de Abreu Pinto, Copperfield Gallery, London
Strategic Vandalism, Friedrich Petzel, New York, United States
2018 The Most Dangerous Game, Haus der Kulturen der Welt, Berlin, Germany
Die Welt als Labyrinth, MAMCO, Genève, Switzerland
Noise!, Frans Hals Museum, Haarlem, Netherlands
De smaak te pakken, Gorcums Museum, Gorinchem, Netherlands
Defacement, The Club, Tokyo, Japan
The odd uneven time, Dürst Britt & Mayhew, The Hague, Netherlands
NADA Miami, Miami, United States - presented by Dürst Britt & Mayhew,
Nightfall, Mendes Wood DM, Brussels, Belgium
70 Jahre Cobra, Die Galerie, Frankfurt am Main, Germany
2017 Section Littéraire, Kunsthalle Bern, Bern, Switzerland
On Plane Air, Air de Paris, Paris, France
Condo New York, with Château Shatto hosted by Foxy Production, New York
MEDUSA: Jewellery and Taboos, Musée d’Art Moderne, Paris. France
The Leftovers, Simon Lee Gallery, New York, United States
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