Luk Van Soom's oeuvre is characterised by his search for the boundaries of reality. Recognisable, everyday forms are combined in such a way that they enter the realm of the imagination. At the same time, his universe is populated by Atlanteans, deep-sea divers, astronauts – in short, travellers with a calling. In this way, he plays with the world, frames of reference and memories, perceptions and sensations, fiction and facts. His work is both light-hearted and accessible, but also reflects on big questions in life such as “what are we doing here” and “how big or how small is man”. In this respect, he fits into the Belgian surrealist tradition characterised by alienation, light-heartedness and absurdist accents, to which René Magritte also belongs.
Van Soom draws his inspiration from mythology, the world of magic and Christian symbolism. He is fascinated by the metaphysical aspects of these subjects. On the one hand, he clings to matter, but at the same time he wants to detach himself from it. This explains his fascination with the primordial elements, the intangible, the transcendental and the relationship between gravity and weightlessness. Many of his sculptures point to the sky and the white of the clouds, but remain firmly rooted in the earth. Others attempt to capture what is naturally mobile, formless and/or fleeting, such as water, clouds, fire and smoke. In this way, Van Soom brings the unattainable closer and makes the intangible tangible. Both in terms of style and theme, he refers to Bernini's Baroque, in which the tension between matter and weightlessness is a constant.