about PUFF
With her Puff (2019-now), she found a motif in the class-transcending garment of the puffer jacket and turned it into a sculptural reference covered in high gloss. The reflective nature of the high-gloss adds a layer by allowing viewers to view their distorted and stretched reflections.
She understands this as an invitation to reflect on our contemporary selves and how we often project different versions of ourselves onto the world depending on the context. Much like in Puff, the disfigurement of the body through the reflection of the design is present.
This constitutes the red thread of her body of work, in which viewers are faced with elongated, minimized, and curved versions of themselves.