Digiprint, is an enlarged photograph of Saadé’s mobile phone screen. This photograph belongs to a series that relates in its own manner to routes and displacement: the frequent manipulation of the object results in it being covered with a thin film of grease. Coating its sharp design, this undesirable organic residue nevertheless constitutes an essential material for the image to be taken: fingers, but also nails, cheeks, ears, hair, sculpt the oil layer, and allow the camera to capture the light refracted by this ephemeral and ever-changing relief. Despite their painterly aspect, the recorded images document purely functional actions such as communicating, researching, or idling, as well as the daily use of GPS systems to navigate in the city and on wider territories. This particular image is however different from the previous ones of the series, which show a profusion of fingerprints and swipes: we only face a cloudy blur almost deprived of any strokes. Taken on October 23, 2019, after the start of the Lebanese revolution, the photograph takes the symbolical aspect of a tabula rasa, and even more so today.