David Haines’ work exists at the intersection between the traditional and contemporary (technical) image. Working with a variety of media - from painting and drawing through to music; ceramics and moving image, the work addresses ideas around what it means to make and look at images in our digitally drenched society. Haines works from out of the premise that technique is a language, that the image is both an anthropological and sociological object and that the experience of looking (at art) is essentially spatial, formed out of a symbiotic relationship between material and image.