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Özgür Atlagan makes installations in which film often plays an important role. In any case, he likes to place himself in his work as a universal I-figure, which undeniably gives his images a performative character.
In 'Wardrobe' (2020), there is a boudoir-like cabin covered with dark brown velvet. Inside, a slide show shows thousands of blurry close-ups of a salmon pink walk-in closet. The images are operated with a push button by Atlagan or the gallery owner like an old-fashioned slide carousel. The images pass very quickly.
In 'Wardrobe' (2020), there is a boudoir-like cabin covered with dark brown velvet. Inside, a slide show shows thousands of blurry close-ups of a salmon pink walk-in closet. The images are operated with a push button by Atlagan or the gallery owner like an old-fashioned slide carousel. The images pass very quickly.
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Özgür Atlagan
geboren in Izmir, Turkey, 1984
2019 - nu Resident at Rijksakademie Amsterdam
Tentoonstellingen
2020 Wet rent wrong, Galerie van Gelder, Amsterdam, with Ian Page and Özgür Atlagan
2019 Slaap lekker Studio, Galerie van Gelder, Amsterdam
Artikel
2020 Een Tower Bridge van Toblerone, Kees Keijer, Het Parool/Cultureel Supplement, 10 juli, p.17
Özgür Atlagan makes both film documentaries and installation art. He is co-founder of an artists collective.
geboren in Izmir, Turkey, 1984
2019 - nu Resident at Rijksakademie Amsterdam
Tentoonstellingen
2020 Wet rent wrong, Galerie van Gelder, Amsterdam, with Ian Page and Özgür Atlagan
2019 Slaap lekker Studio, Galerie van Gelder, Amsterdam
Artikel
2020 Een Tower Bridge van Toblerone, Kees Keijer, Het Parool/Cultureel Supplement, 10 juli, p.17
Özgür Atlagan makes both film documentaries and installation art. He is co-founder of an artists collective.
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