Roger Hiorns 1975

Lives in London, UK. Works in London, UK.
Represented by:

Annet Gelink Gallery

Roger Hiorns investigates material and form in the broadest sense. Strong opposites coexist, generating a tension between creation and collapse, the permanent and the ephemeral, the organic and the mechanic through processes in which he himself has often no influence on the eventual appearance of the work.

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CV

Media

The Limits of an Object: Roger Hiorns - Presented on occasion of the Vera List Center’s 2011-2013 focus theme “Thingness.”
Artist Roger Hiorns talks about the key themes and ideas behind his work. Produced for his exhibition at Ikon Gallery, Birmingham (7 December 2016 - 5 March 2017).
ArtAngel: A video documenting Roger Hiorns 'Seizure', London, United Kingdom September 2008
The Limits of an Object: Roger Hiorns - Presented on occasion of the Vera List Center’s 2011-2013 focus theme “Thingness.”

About

Vliegtuig onder de grond
'Dit toestel op Groot Bentveld is het eerste dat je kunt betreden, en omdat het op priveterrein ligt, is de kans groot dat het hier nog heel lang kan blijven liggen. Darmee wordt het een tijdscapsule, een ruimte uit het verleden waarin de tijd voor eeuwig stilstaat, maar ook een ruimte waarin je aan het heden kunt ontsnappen. ... Hoe groot de kracht van het werk is, blijkt pas als we weer boven komen, in de tuin van Groot Bentveld. Het licht is ineens ongebruikelijk fel en de kleuren lijken frisser dan normaal - alsof we uit de dood zijn opgestaan. Een vliegtuig, begraven in een tuin. We koesteren de zon op ons gezicht. Roger Hiorns kijkt tevreden om zich heen.
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CV

Roger Hiorns 1975 Born in Birmingham
 Lives and works in London Education 1991 - 1993 Fine Art Foundation, Bournville College, Birmingham, UK
 1996 BA Fine Art, Goldsmiths College, London Solo Exhibitions 2016-2017 Ikon Gallery, Birmingham, UK 2016 Christians, Annet Gelink Gallery, Amsterdam, NL 2015 Rudolfinum Gallery, Prague, CZ Corvi-Mora, London, UK Centre PasquArt, Biel, CH 2014 – 2023 Seizure: Yorkshire Sculpture Park, United Kingdom, UK 2014 Luhring Augustine, New York, NY, US The Hepworth Wakefield, Wakefield, UK Annet Gelink Gallery, Amsterdam, NL 2013 Firstsite, Colchester, UK 2012 De Hallen, Haarlem, NL MIMA, Middlesbrough, UK Corvi-Mora, London, UK Hayward Gallery, London, UK Marc Foxx, Los Angeles, USA 2011 Annet Gelink Gallery, Amsterdam, NL 2010 Aspen Art Museum, Colorado, USA The Art Institute of Chicago, Chicago, USA 2009 "Turner Prize", Tate Britain, London, UK Marc Foxx, Los Angeles, USA 2008 Corvi-Mora, London, UK "Seizure", Harper Road, An Artangel/Jerwood Commission, London. Since 15/06/13 on view at the Yorkshire Sculpture Park, UK 2007 The Church of Saint Paulinus, Richmond, North Yorkshire, Glittering Ground, Camden Arts Centre, London, UK Marc Foxx, Los Angeles, USA 2006 Cubitt Gallery, London, UK Milton Keynes Gallery, Milton Keynes Galerie Nathalie Obadia, Paris, FR Corvi-Mora, London, UK 2003 Corvi-Mora, London, UK
 UCLA Hammer Museum, Los Angeles, USA
 Art Now, Tate Britain, London, UK
 Marc Foxx, Los Angeles, USA 2001 Corvi-Mora, London, UK Group Exhibitions 2019 The Aerodrome - An exhibition dedicated to the memory of Michael Stanley, Ikon Gallery, Birmingham, UK NOW, Scottish National Gallery of Modern Art, Edinburgh, UK 2018 ROBOT LOVE, Melkfabriek, Eindhoven, NL 2017 In Motion: Ceramic Reflections in Contemporary Art, Princessehof, Leeuwarden, NL The Meantime, Museum Voorlinden, Wassenaar, NL 2016 Theatre Dreams of a Beautiful Afternoon - Part 2, Manifesta Office, Amsterdam, NL 2015 Strange Pilgrims, The contemporary Austin, Jones Center, Laguna Gloria, Visual Arts Center, Austin, US The Forces Behind the Forms; Geological History, Matter and Process in Contemporary Art, Galerie im Taxispalais, Innsbruck, AT Carte Blanche to Luhring Augutine, Galerie Patrick Seguin, Paris, FR Äppärät, Ballroom Marfa, Texas Periodic Tales: The Art of the Elements, Compton Verney, Warwickshire Birmingham Show, Eastside Projects, Birmingham, England The Noing Uv It, Kunsthall Bergen, Bergen, NL History Is Now, Hayward Gallery, London, UK Indeterminacy, Large Glass, London, UK Lustwarande ’15 - Rapture and Pain, park De Oude Warande, Tilberg, NL Rare Earth, Thyssen – Bornemisza Art Contemporary, Vienna, Austria Blue Times, Kunsthalle Wien, Vienna, Switzerland 2014 A Screaming comes Across the Sky, LABoral Centro de Arte, Gijon, ES On The Devolution Of Culture, Rob Tufnell, London, UK In_We Trust: Art and Money, Colombus Museum of Art in Ohio, US Do It Moscow, Garage Center for Contemporary Culture, Moscow, RU Through My Eye – Artist Portraits, Annet Gelink Gallery, Amsterdam, NL The Great Acceleration , Taipei Biennial, Taipei Fine Arts Museum, Taipei, TW Making Colour, The National Gallery, London, UK Quiz, Galeries Poirel, Nancy, FR Body and Void: Ecgoes of Henry Moore in Contemporary Art, The Henry Moore Foundation, Perry Green, UK Private Utopia: Contemporary Works from the British Collection, Tokyo Station Gallery, Tokyo, JP; Itami City Museum, Itami, JP; Kochi Museum of Art, Kochi, JP; Okayama Museum of Art, Okayama, JP 2013 Dread, De Hallen, Haarlem, NL The Encyclopedic Palace, curated by Massimiliano Gioni, Arsenale, 55th Venice Biennale, Venice, IT Folk Devil, David Zwirner, New York, USA The World is Almost Six Thousand Years Old: Contemporary Art and Archaeology from the Stone Age to the Present, Lincoln Cathedral, Lincoln, UK Days in Lieu, David Zwirner Gallery, London, UK 2012 Courtship of the Peoples, Simon Oldfield, London, UK Smith’s Row, Bury St Edmunds, UK VIP Showroom, Annet Gelink Gallery, Amsterdam, NL Common Ground, Public Art Fund, City Hall Park, New York, NY News from Nowhere, firstsite, Colchester, UK The Lot’s Wife, Salisbury Arts Centre, Salisbury, UK Out of Control, curated by Lynne van Rhijn, Nest, Den Haag, NL Higher Atlas (Exhibition), Marrakech Biennale 4th Biennale, Marrakech, MA 2011 The Sculpture Show, Scottish National Gallery of Modern Art, UK September 11, MoMA PS1, New York, US British Art Show 7: In the Days of the Comet, Hayward Gallery, London, UK The Shape of Things To Come: New Sculpture, Saatchi Gallery, London, UK British Art Show 7: In the Days of the Comet, Hayward Gallery, London, UK Dystopia, CAPC Musée d'Art Contemporain, Bordeaux, FR 2010 Art of Ideas: The Witching Hours, Birmingham Museum and Art Gallery, Waterhall Gallery, Birmingham (cat), UK British Art Show 7: In the Days of the Comet, Nottingham Contemporary, Nottingham, UK Profusion", Calke Abbey, Derbyshire, UK Gerhard Richter and the disappearance of the image in contemporary art, Centro di Cultura Contemporanea Strozzina, Palazzo Strozzi, Florence, IT Crash, Gagosian Gallery, London, UK 2009 Marc Foxx, Los Angeles, USA The Knight's Tour, De Hallen Haarlem, NL The Quick and the Dead, Walker Art Center, Minneapolis, USA 2008 A Life of Their Own, Lismore Castle Arts, Co. Waterford, IR Galerie Diana Stigter, Amsterdam, NL Busan Biennale, Busan, KR Legende, Centre d’ Art Contemporain, Charamande, FR Run Run, The Collins Gallery, University of Strathclyde, Glasgow, UK Thyssen-Bornemisza Art Contemporary as Aleph, Kunsthaus Graz, Graz, AT Stain Pattern, Annet Gelink Gallery, Amsterdam (curated by Glenn Sorensen), NL 2007 If Everybody And an Ocean. Brian Wilson an Art Exhibition, CAPC Musée d'art Contemporain, Bordeaux, FR Fusion Now! More Light, More Power, More People, Rokeby, London, UK Grit and Vigor, Licht & Sie, Dallas, USA Destroy Athens, 1st Athens Biennial, Athens, GR Insubstantial Pageant Faded, Western Bridge, Washington, USA Ultramoderne, Espace Paul Wurth, Luxembourg, LU Good Morning, Midnight, Casey Kaplan, New York (curated by Bruce Hainley), USA Still Life, Meadow Gallery, Hanbury Hall, West Midlands, UK Sculpture Biennale, Jesus College Cambridge, UK You Have Not Been Honest, MADRE, Naples, IT If Everybody And an Ocean. Brian Wilson an Art Exhibition, Tate St Ives, St Ives, UK Echo Room, Alcalá 31, Madrid, ES 2006 Corvi-Mora, London, UK How to improve the World; 60 Years of British Art, Hayward Gallery, London, UK (The Arts Council Collection)
 Le Retour de la Colonne Durutti, Isabella Bortolozzi, Berlin, DE
 Refract, Marc Foxx, Los Angeles, USA 2005 Jaybird, Galleria Zero, Milano, IT
 British Art Show 6, BALTIC Centre for Contemporary Art, Gateshead, UK (touring exhibition organised by the Hayward Gallery)
 The Way We Work Now, Camden Arts Centre, London, UK
 ETC., Le Consortium, Dijon, FR
 Le Voyage Interieur, Paris-London, Espace EDF Electra, Paris, FR
 Sculpture new spirit, Galerie Nathalie Obadia, Paris, FR
 Marc Foxx, Los Angeles, USA
 Sculptures d'Appartement, Musee Departemental d'Art Contemporain, Rochechouart, FR
 Water Event by Yoko Ono, Migros Museum für Gegenwartskunst, Zürich; Astrup Fearnley Museet for Moderne Kunst, Oslo, NO
 Still Life, Museo de Arte de Lima, PE 2004 The Fee of Angels, Man in the Holocene, London, UK
 Trailer, Man in the Holocene, London, UK
 Reflections, Artuatuca Art Festival, Tongeren, BE (cat)
 The Futurians, Taro Nasu Gallery, Tokyo, JP (cat)
 Into My World, The Aldrich Contemporary Art Museum, Ridgefield, USA (cat)
 Still Life, Museo de Arte Contemporáneo, Rio de Janeiro, BR
 A Secret History of Clay, Tate Liverpool, Liverpool, UK (cat)
 Particle Theory, Wexner Center for the Arts, Columbus, Ohio, USA
 Daddy Pop, Anne Faggionato, London, UK (cat)
 Candyland Zoo, Herbert Read Gallery, Kent Institute of Art & Design, Canterbury, UK (cat) 2003 Help, Els Hanappe Underground, Athens, GR
 Honey, I rearranged the collection, 1a Kempsford Road, London, UK
 Hidden Agenda or Hide and Seek, ACME, Los Angeles, USA
 New Work, Corvi-Mora, London, UK
 Still Life, Museo Alejandro Otero, Caracas; Buenos Aires; Centro Cultural Parque de España, ES Rosario; Biblioteca Luis Angel Arango; Bogotá, CO
 Architecture Schmarchitecture, Kerlin Gallery, Dublin, IR 2002 Still Life, Museo Nacional de Bellas Artes, Santiago, CH; touring British Council exhibition (cat, text by Ann Gallagher)
 The Galleries Show: Contemporary Art in London, The Royal Academy of Arts, London, UK
 The Dirt Of Love" The Mission, London, UK
 Shimmering Substance, Cornerhouse, Manchester, UK
 The Ink Jetty, Neon Gallery, London, UK
 Shimmering Substance, Arnolfini, Bristol, UK (cat)
 Exchange, Richard Salmon Gallery, London, UK 2001 Neon Gallery, London, UK Looking With/Out, East Wing Collection, Courtauld Institute of Art,London, UK
 Modern Love, Hobbypop Museum, Dusseldorf, DE 2000 Corvi-Mora, London, UK
 British Art, Diehl Vorderwuelbecke, Berlin, DE
 Shot in the Head, Lisson Gallery, London, UK
 Heart and Soul, Sandroni Rey, Venice, IT Point of View, Richard Salmon Gallery, London, UK
 ...comes the spirit, Jerwood Gallery, London, UK
 Tim Gardner, Roger Hiorns, Jason Meadows, Glenn Sorensen, Corvi-Mora, London, UK 1999 Roger Hiorns, Enrico David, Clare Stephenson, Transmission Gallery, Glasgow, UK
 newBuild, Platform Gallery, London, UK
 Heart and Soul, 60 Long Lane, London, UK
 Manufacturers, Paper Bag Factory, London, UK
 The Great Hall, Bury St Edmonds Art Gallery, UK 1998 Resolute, Platform Gallery, London, UK
 True Science, Gallery K, Hamburg, DE
 Cluster Bomb, Morrison Judd Gallery, London, UK
 Super Nature, Studio A, London, UK
 Micro, Hales Gallery, London, UK 1997 Olympic Village, Transmission Gallery, Glasgow, UK
 European Couples and Others, Transmission Gallery, Glasgow, UK
 Latest Acquisitions, Bund, Kensington, London, UK
 Through the Looking Glass, Channel Four Television, London, UK
 Gang A Bong, Goldsmiths College, London, UK Projects 2006 Performance of the monologue 'Benign', Serpentine Gallery, London, UK 2005 Merce Cunningham Dance Company; Event, Barbican, London, UK Curated Exhibition 1999 "Heart and Soul", 60 Long Lane, London, UK Monographic Publications 2015 “Roger Hiorns”, Verlag fuer moderne Kunst, Biel, DE 2013 “Roger Hoirns”, De Hallen Haarlem, NL 2008 "Seizure: Roger Hiorns ", Artangel, UK 2006 "Roger Hiorns", Cornerhouse Publications, Milton Keynes Gallery, UK Other Publications 2015 “History Is Now: 7 Artists Take ON Britain”, Hayward Publishing, London, pp. 129-151 2014 British Council (ed.), “Private Utopia: Contemporary Works from the British Collection”, The Asahi Shimbun, Japan, pp. 72-73 (cat) 2013 Massimiliano Gioni, "Il Palazzo Enciclopedico", Fondazione La Biennale di Venezia (cat) Hans Ulrich Obrist, "DO IT, The Compendium", Independent Curators International, New York, p. 208 2012 “Sanctuary- British Artists and their Studios”, Thames & Hudson Publishers, London, pp. 194-199 2010 Henry Werner, "Modern Art For Sale: Les Plus Grandes Foires et Salons d’Art Au Monde", Feymedia, Dusseldorf, p. 169 "Contemporary Collecting: The Donna and Howard Stone Collection", Art Institute of Chicago, p.141 "Gerhard Richter and the disappearance of the image in contemporary 
art", Centro di Cultura Contemporanea Strozzina, Palazzo Strozzi, Florence, Alias, pp.96-101 2009 David Bussel, "Looking at Display. Images of Contemporary Art in London Galleries", Rachmaninoffs, London, p.23 Christian Rattemeyer, Brian Sholis , "The Judith Rothschild Foundation Contemporary Drawing Collection: Catalogue Raisonne", The Museum of Modern Art, New York Hans Ulrich Obrist, "Experiment Marathon", Reykjavik Art Museum, Serpentine Gallery, Koenig Books, pp.66, 74-75, 112, 123, 137 "The Quick and the Dead", Walker Art Center, pp.222-223 "British Council Collection: Passports", British Council, Cover, pp.100-101 "Passports. In Viaggio Con L’Arte", Silvana Editoriale, Milano, pp.106-107 "Voids: A Retrospective", JRP Ringier, Zürich and Ecart Publications, Geneva, p.306 "Passports", British Council Collection, British Council, London 2008 Tom Morton, "Expenditure", Contemporary Art Exhibition, Busan Biennale, pp.146-147 Hans Ulrich Obrist, "Formulas For Now", Thames and Hudson, p.86 Alexis Vaillant, "Legende", Sternberg Press, Berlin "Semaines, Digestive System", Analogues, Les Presses du Reel, pp.37-48 "New Perspectives in Sculpture and Installation", Vitamin 3-D, Phaidon, pp.150-151 2007 Judith Collins, "Sculpture Today", Phaidon, pp.202-203 "You Have Not Been Honest", Cornerhouse Publications, British Council "Destroy Athens", 1st Athens Biennale, pp.158-159 "Voids", Centre Pomipdou, Kunsthalle Bern, JRP Ringier 2006 "Frieze Projects, Artists' Commissions and Talks", Thames & Hudson, London, p.98-99 2005 Alex Farquharson, "Brian Wilson: An Art Book", Four Corners Books 2004 "Do It", edited by Hans Ulrich Obrist, Revolver and e-flux
 "Now and Then", Tate Publishing, Tate Britain, London, pp.30-35
 "Reflections", Artuatuca Art Festival, Tongeren, Belgium
 "The Futurians", Taro Nasu Gallery, pp.18-21 & 33
 "Into My World", The Aldrich Contemporary Art Museum Publications, pp.28-31
 "A Secret History of Clay: from Gauguin to Gormley", Tate Publishing, Tate Liverpool, p.18, 86
 "Daddy Pop - The Search for Art Parents", Anne Faggionato, London, pp.17-18, 59 2003 "Still Life", Cornerhouse Publications, The British Council, pp.13-14, 39,95 2002 Matthew Arnatt, "100 Reviews 2002", Alberta Books, London
 "Shimmering Substance" and "Viewfinder", Cornerhouse Publications, Arnolfini, Bristol, UK 1998 "The New Neurotic Realists", Saatchi Gallery Publications, London Bibliography 2015 Martin Colin, “Exhibition – UK Government’s Handling of Mad Cow Disease”, Lancet, 24 March 2014 Mark Brown, “Yorkshire Sculpure Park Named UK Museum of the Year”. Guardian, 9 July Campos Seijo Bibiana, “Chemistry and Art”, Chemistryworld.com, 1 July Nick Clark, “Museum of the Year Award: Sam Mendes Presents Yorkshire Sculpure Park with Prize”, The Independent, 9 July Andy Extance, “Beyond Water”, Chemistryworld.com, July “First New York Solo Show for Roger Hiorns at Luhring Augustine”, ArtMediaAgency.com, 12 August Jonathan Jones, “Making Colour at the National Gallery, London”, Guardian, 18 June Pes Javier, “Yorkshire Sculpure Park Wins Top Museum Prize”, Theartnewspaper.com, 10 July James Pickford, “Yorkshire’s Open Air Gallery Wins Museum Prize”, FinancialTimes.com, 9 July 2013 “Schuim en as en kerkgezang”, Metropolis M, February Roos van der Lint, “Steek je hand in een vriezer en verlang naar blauwe sneeuw”, De Groene Amsterdammer, January 31 Tessa Verheul, “ Over lichamen, organen, hersenen en kristallen”. Tubelight, January-February Dominic van den Boogerd, “ Roger Hiorns”, De Witte Raaf, January-February 2012 Sharon Mizota, “Taking flight with abstraction: Roger Hiorns at Marc Foxx Gallery”, The Los Angeles Times, July 13 Charlotte Higgins, “Roger Hiorns’ Turner Prize-nominated artwork, Seizure escapes demolition”, The Guardian, July 6 Anne Berk, ”De alchemist”, fd persoonlijk, December 22 Hans den Hartog Jager, “Hiorns is de brenger van het vuur”, NRC Handelsblad, December 6 “Roger Hiorns”, 200percentmag, December 4 Jan Peter Verhagen, “ Op zoek naar de niet-controle”, Tubelight, February 29 Natasha Hoare, “Roger Hiorns”, Elephant, #12 2011 Roos van Put, “British Art Show terug in Londen”, Kunstbeeld, April “Roger Hiorns smuggles anti-psychotic drugs into US Air Force Aircraft for Sculpture Show”, Culture24, December 9 Coline Milliard, “ Artist Roger Hiorns on post-9/11 Life, and Why He Would Like to Bury a Jumbo Jet”, Artinfo, December 8 Roberta Smith, “Three Ways to Look Back, None Easy”, The New York Times, September 11 Frits de Coninck, “Het geheugen van de materie”, fd persoonlijk, January 29 Nicola Bozzi, “Roger Hiorns”, Artslant, January 24 Kees Keijer, “ Kunstwerken van badschuim en koehersenen”, het Parool, January 24 Sandra Smallenburg, “Deze koe heeft mij met eigen ogen gezien”, NRC Handelsblad, January 14 J.J. Charlesworth, “Hoe te overleven als kunstenaar”, Metropolis M, January 2010 "British Artist Roger Hiorns Creates Sculpture for Art Institute", Artdaily.org, May 13 "Review: Roger Hiorns/Art Institute of Chicago", Newcity Art, May 10 J.J. Charlesworth, "It’s So Predictable", Art Review, January/February, p.32 Alexis Vaillant, "Looking Back: Solo Shows", Frieze, January/February, pp.87-89 James Rondeau, "Looking Back: Solo Shows", Frieze, January/February, pp.87-89 2009 "Anti-Hirst; How Artist Roger Hiorns Became Britain’s Most Interesting Artist", Kelowna.com, December 5 Yaji Huang, "Art Star: Roger Hiorns", Contemporary Chinese Art News, December, Number 59, p.124 Bruce Millar, "Roger Hiorns. The Master Alchemist Discusses His Work", The Art Newspaper, October 15, p.11 Jo Steele, "An Egg and Moon Race for the Turner Prize", Metro, October 6, p.11 Steve Pill, "Putting and End to the Shock Tactics", Metrolife, October 6, pp.30-31 Tom Lubbock, "Are We Losing the Art of Surprise?", The Independent, October 6, p.12 Adrian Searle, "Here Comes the Egg Men", The Guardian, October 6, pp.20-21 Ben Hoyle, "History Repeats Itself as Late Addition to the Turner Prize proves a Little too Diverting", The Times, October 6, p.15 Richard Dorment, "The Favourite Versus the Dazzling Outsider", The Daily Telegraph, October 6, p.31 Jeremy Deller, "Ingredients for a Turner Prize – Dust, Bones and a Freeze-Dried Cow Brain", The Guardian, October 6, p.15 Rashid Razaq, "Ashes to Ashes…Dust, Skulls and Cow Brains on the TurnerPrize Shortlist", Evening Standard, October 5, p.3 Alexa Baracaia and Jessica Holland, "The 20 Hottest Art Shows This Autumn", The London Paper, September 8, p.14 Steven Stern, "The Quick and the Dead", Frieze, September, pp.134-135 Charlotte Higgins, "Crowd Pleasers Dominate Turner Shortlist", The Guardian, April 29, p.13 Ben Hoyle, "The Draughtsman, Surrealist, Graffiti Artist and Alchemist Who Rescued The Turner Prize", The Times, April 29, p.2 Jane Ure-Smith, "The British Council’s Collection is Home at Last", financialtimes.com, March 9 Bethany Halford, "Concocting a Crystalline Lair", Chemical & Engineering News, January 5, pp.30-31 Nancy Princenthal, "Roger Hiorns Artangel and Corvi-Mora", Art In America, January, p.122 2008 Gilda Williams, "Review: Roger Hiorns", Artforum, December, pp.331-332 Stefano Collicelli Cagol, "Seizure", Domus, December William Wiles, "Review: Seizure", Icon Eye (Icon Magazine 065 Online), November Oliver Gili, "Last Chance to See: Seizure by Roger Hiorns", Londonist, November 24 Hugh Pearman, "My Blue Heaven", The Sunday Times, November 9 Paul Carey-Kent and Vici MacDonald, "Roger Hiorns", Art World, October/November, pp.88-90 J.J. Charlesworth, "Voodoo Modern", Art Review, October Jonathan Jones, "Don’t Miss Seizure, the Blue Crystal Wonder", The Guardian Blog, October 29 Alice Rawsthorn, "Ceding Control to a World of Random Beauty", International Herald Tribune, October 13 Beena Nadeem, "Room With a Magical View", Inside Housing, October 3 Liz Hoggard, "Rhapsody in Blue Crystal", Evening Standard, September 30 Jonathan Jones, "Digital Cameras Give us Another Way of Enjoying Art", Guardian Blog, September 11 Richard Cork, "From Council Flat to Crystal Cave", Financial Times, September 5 Adrian Searle, "Don’t Forget Your Wellies…", The Guardian, G2, September 4, p.28 Helen Sumpter, "Chemical Brother", Time Out, September 4-10, p.54 Alastair Sooke, "Seizure: Neptune’s Grotto Shimmers in a Council Flat", The Daily Telegraph, September 3 Steve Pill, "He’s Having a Crystal Ball", Metro, September 3, p.39 Elizabeth Day, "Approach at Your Peril", The Observer, August 31, p.27 Catherine Croft, "Growing Crystals from Architecture", Building Design online, August 29 Brian Sholis, "Roger Hiorns: 500 Words", artforum.com, August 28 Fiona Maddocks, "Crystal Method for Roger Hiorns", Evening Standard, August 26 Skye Sherwin, "The Asphalt Jungle: Artangel", ArtReview, July-August Alexander Kennedy, "The Art of Science", The List, Issue 600, April Martin Herbert, "1st Athens Biennale", Frieze, February, p.170 Junko Fuwa, "Roger Hiorns", Pen Magazine, Edition 214, p.62 & 63 Nuno Rodrigues, "Nuclear Fusion and Art's Fission", Mute Beta, January 30 2007 Jen Graves, “Not insubstantial”, The Stranger, Seattle, November 28 Justine Gaunt, “Roger Hiorns”, interface.a-n.co.uk, November Katie Sonnenborn, “Good Morning, Midnight”, Frieze, October, p.275 Ossian Ward, “Handsome Young Doctor”, Time Out, August 10 Nikki Columbus, “Good Morning, Midnight”, artforum.com, August Holland Cotter, “Good Morning, Midnight”, Art in Review: New York Matt Price, "Out There: Contemporary Artists from the West Midlands", New Birmingham Art, pp.32-33 Bruce Hainley, "Roger Hiorns", Artforum, March, pp.326-326 Mark Brown, "Wanted: crystal or council home", The Guardian, January 15 Jennifer Higgie, "Solo Show", Frieze, January-February, p.133 2006 Melissa Gronlund, "Monologue Nights", Frieze, October, pg.56 "Top 100 artists", Flash Art, October, pg 68 Michael Archer, "Best of British", Times Online, August 26, pg. 31 Morgan Falconer, "Talking, talking, always talking", Times Online, July 26
 Roger Hiorns, Frieze, June/July/August, p.209
 Richard Dorment, "Strange attraction of a maternal monster", The Telegraph, April 18 Alessandro Rabottini, "Jaybird", ArtReview, March, Volume 62, p.126
 Andrew Marsh, "Roger Hiorns", Flash Art International, March/April, pp.114-115
 Antony Hudek, "Le Voyage Intérieur", Flash Art International, March/April, p. 54 
 Tom Morton, "Looking Forward", Frieze, January/February, p.124 Neil Mulholland, "British Art Show 6", Flash Art International, January/February, p.100 
 Jessica Lack, "Roger Hiorns", The Guide (The Guardian), January 14-20, p.36 2005 Nanda Janssen, "Sign of the Times", Mister Motley, p.76-77
 Roger Hiorns, "Questionnaire", Frieze, October, p.232
 Tom Morton & Catharine Patha, "Accidents Never Happen", Frog, Issue 1, Spring, pp.52-55
 Martin Herbert, "Roger Hiorns", Time Out, January 4 2004 Craig Burnett, "Pick of the Week", The Guardian, December 6, p.14
 Xavier Dourox, "Retour de Présence", Zero Deux No.31, Autumn, pp.14-15
 The Future, Issue One
 Grace Glueck, New York Times, August 27
 Emma Crichton-Miller, "Feats of Clay", RA Magazine, Summer, p.20
 Melissa Nix, "Postmodern is passé", The Daily Yomiuri, July 29, p.18
 Usuki Naoko, "The Futurians", What's New 09, ART iT, p.18
 Tanya Harrod, "Serious play's feat of clay", The Times Literary Supplement, July 23, p.1
 Morgan Falconer, "Breaking the Mould", V & A Magazine, Summer
 JJ Charlesworth, "Roger Hiorns", Contemporary, Issue 64, pp.46-49
 "A Secret History of Clay : from Gauguin to Gormley", Tate, p.18, 21, 86
 "A Secret History of Clay", Ceramic Review, May/June, p.17
 "A Secret History of Clay", Art of England, May/June, p.10
 Philip Key, "Expect the unexpected", Daily Post, May 28
 Bill Mayr, "Ordinary materials viewed in new ways", The Columbus Dispatch, May 22, p. C1
 "What's On", The Art Newspaper, Issue 146, April, p.6
 Anne Martens, "Roger Hiorns", Flash Art, January/February, pp.110-111
 Dan Fox, "Roger Hiorns", Frieze, January/February, pp.94-95
 Martin Herbert, "Roger Hiorns", Artforum, January, p.166 2003 Morgan Falconer, "Contemporary Art", The Burlington Magazine, December, p.875
 Time Out Athens, 13-19 November, p.89
 Jessica Lack, "Picks of the week", The Guardian G2, November 10, p.18
 "Poetry Review", The Poetry Society, Autumn, pp.77, 83, 87
 Time Out, August 27 - September 3, p.53
 Richard Cork, "Fire and ice", New Statesman, August 11, pp.28-30
 JJ Charlesworth, "Roger Hiorns/David Musgrave", Art Monthly, April, pp.40-41 2002 Morgan Falconer, "The Galleries Show", Modern Painters, Winter, pp.142-143
 José Zalaquett, "Vida Quieta", Capital, November 22
 "Still Life", El Mercurio on Line, November 6
 Carlos Navarrete, "Límite y continuidad", Nuevo Diseno, 05, pp.62-65 JJ Charlesworth, "Sign and substance in recent sculpture", Artext, Fall, pp.36-43
 Tom Morton, "The crystal method", Frieze, October, pp.76-77
 Jörn Ebner, "Exchange", Frankfurter Allgemeine Zeitung
 Andrew Hunt, "Exchange and New Originals", Untitled, Spring, p.31
 Paco Barragán, The Art To Come, pp.126-127
 Ian Hunt, "Shimmering Substance", Art Monthly, June, pp.39-42
 Andrew Hunt, "Exchange", Untitled, Issue 27, p.32
 Sally O'Reilly, "Exchange", Frieze, May, pp.96-97
 JJ Charlesworth, "Exchange", Contemporary, April, p.114
 JJ Charlesworth, "Neon", Contemporary, March, p.94 2001 Morgan Falconer, Untitled, Autumn/Winter, p.32
 Michael Archer, Artforum, December, p.131
 Minnie Gastell, Donna, October, p.38
 Mark Wilsher, What's On, October 3, p. 24-25
 JJ Charlesworth, "Secret Secretions", Art Monthly, September, p.20-21 2000 JJ Charlesworth, "...comes the spirit", Art Monthly, June
 Claire Bishop, Evening Standard, May 26, p.66
 Helen Sumpter, Evening Standard, April 27, p.55
 Jonathan Jones, The Guardian, April 21
 Dan Crowe, Butterfly, Issue 5
 Jörn Ebner, Frankfurter Allgemeine Zeitung, No 84, April 8, p.54 1999 Michael Archer, Artforum, November, p.153
 Dave Beech, Art Monthly, November, pp.32-33
 Helen Sumpter, Evening Standard, October 8
 Lena Corner, ID Magazine, August, p.28
 J.J Charlesworth, Art Monthly, July/August, pp.33-35
 "The Saatchi Decade", Booth-Clibborn Publications 1998 Mark Currah, Time Out, August 26
 Keith Patrick, Contemporary Visual Arts, Issue 20
 Piers Masterson, Untitled Magazine, Issue 17, Autumn
 Michael Wilson, "Micro" Catalogue
 Jane Burton, "The New Neurotic Realists", The Express, June 6 David Lister, "Sorry Damien, However Hard You Try, You've Become Passé", The Independent, May 30 Collections Art Institute of Chicago, Chicago, IL Museum of Modern Art, New York, NY Tate Modern, London, England Walker Art Center, Minneapolis Frans Halsmuseum, Haarlem, NL Caldic Collection, The Netherlands Museum Voorlinden, The Netherlands KRC Collection, The Netherlands