Born in Prato in 1977, where she lives and works.
Her research investigates a dual dimension: on one hand space and places, and on the other a poetics of the everyday object, which develops between accumulation and discard. In 2015 she created an observatory dedicated to the recovery of the region’s industrial archaeology, called *Tuscan Art Industry*, collaborating with architectural historians, environmental biologists, artists, curators, and various professionals. Her photographs and installations reflect on the idea of transformation and develop in close contact with the industrial and urban landscape. Her works are often site-specific, establishing a strong dialogue with the space and natural light of the places in which they are presented.
Her works are included in public and private collections, including: the National Gallery of Modern and Contemporary Art in Rome, Casa Masaccio – Center for Contemporary Art, the Farnesina Collection, the Museum of Santa Maria della Scala, Castello di Ama, and Villa Rospigliosi.
Her research investigates a dual dimension: on one hand space and places, and on the other a poetics of the everyday object, which develops between accumulation and discard. In 2015 she created an observatory dedicated to the recovery of the region’s industrial archaeology, called *Tuscan Art Industry*, collaborating with architectural historians, environmental biologists, artists, curators, and various professionals. Her photographs and installations reflect on the idea of transformation and develop in close contact with the industrial and urban landscape. Her works are often site-specific, establishing a strong dialogue with the space and natural light of the places in which they are presented.
Her works are included in public and private collections, including: the National Gallery of Modern and Contemporary Art in Rome, Casa Masaccio – Center for Contemporary Art, the Farnesina Collection, the Museum of Santa Maria della Scala, Castello di Ama, and Villa Rospigliosi.
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