Paco Dalmau’s work is a hybrid between painting and sculpture, resulting in wall objects where material, emotion, and memory converge. His Evolution series, begun in 2018, arises from the deconstruction of earlier paintings, which are layered, torn, and recomposed into new sculptural forms. Each piece becomes a kind of memory archive—where traces of past works are not erased but reconfigured into something new. The patterns in the layers, are reminiscent of a primordial life, raw and intuitive, shaped by gesture and instinct. Influenced by the emotional theories of color by Eva Heller and Robert Plutchik, the chromatic choices intensify the narrative within each surface.
The Evolution series by Paco Dalmau builds upon a legacy in which painting becomes a space for introspection, transformation, and the articulation of the self. This approach connects with the Abstract Expressionists—artists like Mark Rothko, Barnett Newman, or Jackson Pollock—who treated painting as a medium for existential reflection, where gesture and matter embodied interior life. For Dalmau, this serves as a foundation rather than a model. While his work shares their introspective sensibility, it focuses more specifically on the layered and mutable nature of identity over time.
Carl Jung’s notion of the psyche as a constellation of overlapping selves—conscious, unconscious, and ancestral—provides a psychological framework that resonates with Dalmau’s practice.