Splitt pours the paint onto the surface, uplifts the pictural plane and lets the paint run vertically: Expansion, coherence and gravity form an astonishingly precise form, a colorful disegno that paradoxically reverses our expectation on how liquids move and our idea of a drop. On reflective surfaces, the color deletes the environment reflected in the image – on reflecting paint we recognize our colored self in the poured shape. Thus the viewer is not just a part of the picture; the image becomes a reflection level of one’s own perception.