Aaryan Sinha (b. 2001, New Delhi, India) is a photographer and artist based in The Hague, Netherlands. His work explores the shifting nature of Indian identity within a Western context, engaging with themes of colonialism, personal memory, cultural appropriation, and intergenerational inheritance.
Aaryan Sinha graduated from the Royal Academy of Art, The Hague (KABK) with a Bachelor’s degree in photography. Using photography, archival material, and text, Sinha challenges dominant narratives and visual clichés often imposed on India, aiming instead for a more layered and self-aware representation of his homeland.
Raised in India and now working across Europe, Sinha’s practice is rooted in the duality of place and perspective. Projects such as Namaste or Whatever examine the lingering influence of colonial photography and how its visual language continues to shape both global perceptions and personal understandings of Indian identity.
In This Isn’t Divide and Conquer, he travels through five Indian states bordering Pakistan, reflecting on the scars of Partition and the renewed rise of polarizing ideologies in present-day India. Within this broader framework, sub-projects like To My Darling Love offer a more intimate view —assembling a quiet archive of his late grandfather through personal objects, family photographs, and handwritten notes. For What Was, Will Soon Be Forgotten the artist shifts his focus to Kashmir, exploring the fragile intersections of memory, mineral extraction, and environmental change in a region shaped by geopolitical trauma.