For their new solo exhibition at the gallery, Boudry/Lorenz present All The Things She Said (2025), a film installation that continues their investigation into performance, spectatorship, visibility, and resistance. In this work, they do so by proxy of Chelsea Manning, anti-war activist and whistleblower who became known after disclosing hundreds of thousands of classified and sensitive documents on US war crimes in Iraq and Afghanistan to WikiLeaks, resulting in her imprisonment between 2010 and 2017. In the film installation, we see Manning playing a DJ set at Berlin’s SchwuZ, the oldest club for queer and transgender people in Germany, recently forced to closed down due to economic pressure. The venue is empty, Manning is only playing for herself. House remixes of queer club classics fill the dance floor. One of the most visible faces of anti-war activism and transgender rights, Manning is not delivering a speech in front of a crowd––which would be the most intuitive scenario we would imagine her in. Instead, she is tapping into the joy and liberation of music, conjuring its healing power against the widespread of reactionary politics across the world.