When we hear the word revolution, we immediately think of a social-political context with historical uprisings and struggles. For her fourth solo presentation in the gallery, Cristina Lucas (1973, ES) returns to the original meaning of the word derived from the Latin word volvere, which is in fact a technical term meaning ‘turning’ or ‘rolling’. In doing so, she connects with science. Copernicus used it in the title of his study of the revolutions of celestial bodies in 1543. Four major technical-industrial revolutions form the starting point for the new video work and a series of Compositions that Lucas shows in the exhibition 4 FAIT/H. From the invention of the steam engine to the all-pervasive power of AI: Lucas shows that technological progress profoundly effects all aspects of human existence. Each of these innovations has an impact on biodiversity, social structures, cultural and political thinking and class struggle. They are intertwined in an inextricable chain of cause and effect. Her work is a plea for a worldview in which there are no boundaries between the technological, the human and the environmental. All elements are in constant change. The iron used in the production of cars is the same that gives our blood its red color, and the same that was formed by the early oxygen supply of the earth. Lucas presents us with a perspective that is as critical as it is disarming and hopeful, with images that disturb and seduce at the same time.