In exhibition ‘The Waiting’, Tamara Muller’s canvases seem to pose questions. To the viewer, but in the first instance also to herself. Tamara’s work invariably features her own face, ‘stuck’ onto the bodies of children or, recently, male figures, at times boyish, at times with bare muscular torsos. These are seldom self-portraits; after an initial personal impulse, the work drifts further away from herself during the making process in order to tell a more universal story.