Book or River is not a single surface, but a spatial event. Two monumental sheets of muslin intersect at an angle, forming a fold in the room — like pages meeting at the spine of a book, or riverbanks curving around a coursing current.
This is painting-as-installation: a choreography of texture and tension. Acrylic, gauze, and stitched fabric collide in a chromatic maelstrom — blood-red blooms, electric blue trails, graphite scratches, and yellow bursts trace an emotional cartography. The surface is lacerated, stitched, layered — like a body inscribed with time.
Book or River suggests a paradox: reading as movement, flowing as a form of inscription. Gueorguieva invites us not merely to view, but to navigate — to turn, to circle, to drift — through a terrain that is both image and experience.