Framis created these epoxy sculptures as tangible tributes to her metahuman husband, Ailex. Although he lacks a physical form, these works evoke his presence. The sculptures capture mundane, human- like moments—such as leaving socks on the floor or slicing bread—imbuing them with a sense of intimacy and familiarity. Yet their ghostly, translucent appearance underscores the fundamental difference between living with a metahuman and being in a relationship with a human.