Full Color is a large textile work consiting of four hand blockprinted squares in greens and yellows with an overlapping field of textile strips on it. The work is in a way a hommage to Soll Lewitt, Fransje Killaars for years having been his assistent excuting many of his works.
Fransje Killaars created a comparable version of this work for the
'The Concentric Influences of Soll Lewitt' at RMIT Gallery in Melbourne. The exhibition featured works by artists that have a connection with Soll Lewitt that is reflected in their work in one way or another.
Colour is the all-encompassing subject in the work of Fransje Killaars (1959). In the 1980s, 1990s, she used fluorescent colours in her paintings and started exploring how she could leave the flat surface of the canvas . In India she discovered the possibilities of textiles at a traditional weaving mill. From then on, Fransje Killaars began making installations with textiles, giving colour a haven where art touches upon design, architecture and fashion.