Julia Kiryanova (1997, Kazakhstan) makes large tapestries in which she develops a personal symbolism. In her mythical landscapes, naked humans and fabled creatures appear, some half animal, half human, that work together or fight each other. Kiryanova who is often present herself in the tapestries also engages in performances with others, naked and body painted, in which she expresses vulnerability, sensuality and spirituality. The Rainbow Conflict, part II, depicts the encounter between creatures of anthropomorphic shape. With oversized limbs, the figures grab each other, their mouths exposing sharp teeth and their eyes shedding tears.