Julia Kiryanova (1997, Kazakhstan) makes large tapestries in which she develops a personal symbolism. In her mythical landscapes, naked humans and fabled creatures appear, some half animal, half human, that work together or fight each other. Kiryanova who is often present herself in the tapestries also engages in performances with others, naked and body painted, in which she expresses vulnerability, sensuality and spirituality. Mythical, hybrid creatures, half human half animal are central to The Battle I. Bird-like creatures mounted by humanoid figures face each other on the battlefield. The menacing atmosphere is intensified by the muted colour palette and details such as the bruised knees and hands of the central figure are highlighted in red.