15 years ago, the young curator Mizuki Endo visited Yutaka Sone in Los Angeles. Since Mizuki was at the same time a friend, as well as an art professional, Sone suggested he would put up a tent in his garden, exactly in the middle between his studio and his house. Every day he would go to the house for breakfast in easy clothes, and later go back to the tent, put on a formal costume, and go to the artists' studio to discuss art.