“The beauty of acid paper is that it’s alive. It’s different to last week. It lives, it’s fragile, it isn’t made of concrete. But at the same time, I feel the need to preserve it. Because it’s not just about the artwork, it’s about the story of the people who fall between our borders, about telling their story again. And how can we retell it? By showing these images more often. And what if the image slowly decomposes and eventually disappears?” Domenique Himmelsbach de Vries