"Caroline Van den Eynden's work presents a spectrum of strained perceptions. Every model has something that attracts someone in search of reflection. The void is not a ghastly emptiness, the transparent small spaces evoke no social phobia, the absence of figures, movement or sound only resonates a pleasing form of silence.
Maybe this is because Caroline Van den Eynden does not pursue a literal representation of the building that served as inspiration for the object, but rather works from her memory, ensuring that the smaller scale copy is charged with those memories and feelings? Creating an almost surreal object, but a pure version of it "
(part of the text Artstory 9, by Jeroen Laureyns)