The series Patch Match is based on the production of papier-mâché panels which variations in colors, forms and textures then tangled to create an uncanny and confusing backdrop for objects like a chair, a cucumber, coins or bottles playing in a scaleless landscape.
Photography is central in Roman Schramm’s artistic practice. Often oriented towards the playful, his practice resembles more that of a painter, sculptor or an installation artist than that of a photographer – objects are formed, pieced together, found, meticulously edited in Photoshop or 3D programs and then staged in new ways.
Since 2019 part of the process is a dialogue with an algorithm with unique results. This new way to arrange an image which fools both the eye and the body, is not only a change of production but of perception. It́s connected with a
transitional reconfiguration of affective embodiment itself.