In 'Holden' (2017) the camera takes our gaze across the details of a car's interior. The radio, sparkling drops of water on the windows, a gearbox. Everything is dark; only the details that come into the camera's focus are illuminated. What we see is the intimate atmosphere of an interior world, an environment designed for movement, while this also comprises a dramatic mise-en-scène, the arena from which communication with the exterior world takes place. As such the automobile becomes analogous to the human form.