The painting consists of a single, very thin layer of oil paint, applied wet-on-wet. Turquoise, blue and pale yellow flow gradually into one another, creating a remarkable sense of depth despite the minimal use of paint.
Working wet-on-wet requires precision: the transitions are shaped while the paint is still fluid. Fine vertical and horizontal traces interrupt the expansive colour field, while the softly illuminated centre draws the eye into the work.
Its tall, narrow format strengthens its quiet presence. Both calming and subtly captivating, The Observer brings colour into a space without overwhelming it.