What does the ideal artist’s studio look like? How much time does an artist spend there? Is it a sacred place? This week in 'The Artist’s studio' series: Dittmar Viane (age 23) whose first solo exhibition opens at Antwerp’s Everyday Gallery on 30 April.
Do you visit your studio every day?
I go to my studio at least four full days a week.
What time do you leave for your studio, and how: on foot, by bicycle, public transport or car?
I usually leave around 9 am and always go by bike. The fact that I have to move around to go to my studio motivates me to be productive in my studio.
Do you hold on to certain rituals in your studio? Music or silence?
Usually, there is calm music on it and I listen to albums in their entirety. When I arrive I don't immediately start painting, mainly because the light is a bit too harsh. In the morning I first check my emails, look up references or mix the colours on my palette that I will need in the afternoon.
How important is light to you?
Light is important in the space itself, but I don't really like direct sunlight hitting the painting. That is why I prefer working in the afternoon when the sun is hiding behind the side wing of the monastery where my studio is located; this way I maintain a better overview.
What does your work process look like? Do you work everywhere and all the time or does work only commence the moment you enter your studio?
Work certainly continues always and everywhere, but the studio is above all a place where ideas are developed into paintings. Everyday elements, walks in nature, art books, films or fantasies are often the source of inspiration from where the idea for a composition or scene starts. Then I quickly sketch it on my iPhone notes or on a sticky note, just so I don't forget.
How much time do you spend on average per day in your studio?
It fluctuates between eight and nine hours a day. Usually, I can only paint for about six hours, because I paint in a way that requires a certain focus or precision.
Is your studio a sacred place?
A sacred place is a bit rich, it is above all an important place that should feel good, comfortable and offer freedom. The monastery is full of corridors with bas-reliefs, ornaments, church floors and a monastery garden, which all make it look like a sacred place, haha.
Do you receive visits there; collectors, curators or fellow artists?
I don't often receive visitors, because I find it difficult to show unfinished works. But I myself am always curious how an artist works in his studio; it is and will always remain a mystery, but that also gives it something magical.
What is the most beautiful studio you have ever seen?
I haven't been to the studios of other artists very often, because I know that for many artists it is a personal and private habitat that I would not like to disturb. Hopefully I’ll be able to answer this question in the future.
What does the ideal studio look like?
A large space is not very important for painting itself, but the idea of a studio where everything is possible and close at hand would be ideal in my opinion. In my view, the ideal studio should be orderly and radiate tranquillity.