In Lucile Desamory’s practice as a filmmaker, visual artist, and performer, Still Film is conceived as a reflection on cinema through painting. In Desamory’s work, painting and filmmaking are always found in a mutualistic relationship, pushing beyond a clear-cut distinction between the two disciplines and questioning their artistic and material entanglements. Desamory is constantly going back and forth between not only filmmaking and painting, but also drawing, performance, photography, and music, building upon one another and wandering through a vast artistic landscape.