The exhibition, featuring a novel production of works on paper, sculptural pieces, and installations, arises from a reinterpretation of the thoughts of Maria Montessori – a pedagogue, educator, and one of the first women to graduate in medicine in Italy. In the early 20th century, Montessori outlined an innovative perspective within feminist reflections and claims.
The artist reinterprets the image of the "pioneer woman," shaping a new symbolic imaginary of the maternal. The virtues of femininity, such as care, hospitality, and connection with the natural, liberated from the confines of the home in which they were once imprisoned, now contribute to strengthening the human species, detonating a new universal sentiment.
In the reality depicted by Flaminia Veronesi, Eve, the woman as an object and procreator who has long been a victim of inferiority and submission, has given way to the Mother, a "social Mary" for whom motherhood is understood as caring for others and responsibility towards life.
In this newly born universe – a place inhabited by mutant creatures, smoking breasts resembling primordial mountain ranges, and where a cosmic catharsis has reconfigured not only cultural models but even the DNA of reality – each of us is a maternal being who, acting on the principle of "giving," takes care of children, existence, and Mother Earth.