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Working at the interlocution of art and music the work of Joan van Barneveld is interdisciplinary in nature. Throughout his oeuvre, he combines photography and painting to visually embody the abstraction of his music. At their points of convergence, van Barneveld creates a new perspective which is simultaneously full and empty. The gallery’s selection includes recent works by the artist where the concept of disappearance plays a central role. In order to achieve this effect, van Barneveld uses the medium of photography to create as much distance between himself and his subject-matter, as well as between the subject-matter and his audience. What is left are vague colorful gradients, and shadowy contours of an image.
The years 2011 and 2012, marked a major transition in his practice. This was when he let go of making black paintings and began experimenting with screen-printing. This technique rooted in photography, permitted Van Barneveld to give up control of the painting process, distance himself further from the execution of the work and allow for chance to take over. By creating paintings akin to over exposed photographs, Van Barneveld minimized both the evidence of painterly gestures and obscured the subject matter in his work. As a result, the images now embody almost expressionless yet subliminal sensations.
Van Barneveld has achieved international acclaim. His works have been exhibited in New York and Los Angeles, and can be found in the collections of De Nederlandsche Bank, DSM Art Collection, Collection Bonnefantenmuseum Maastricht, Collection Museum Het Domein Sittard, Collection Provincie Limburg, Collection SCHUNCK Heerlen, among other various private collections in Europe and the U.S.
The years 2011 and 2012, marked a major transition in his practice. This was when he let go of making black paintings and began experimenting with screen-printing. This technique rooted in photography, permitted Van Barneveld to give up control of the painting process, distance himself further from the execution of the work and allow for chance to take over. By creating paintings akin to over exposed photographs, Van Barneveld minimized both the evidence of painterly gestures and obscured the subject matter in his work. As a result, the images now embody almost expressionless yet subliminal sensations.
Van Barneveld has achieved international acclaim. His works have been exhibited in New York and Los Angeles, and can be found in the collections of De Nederlandsche Bank, DSM Art Collection, Collection Bonnefantenmuseum Maastricht, Collection Museum Het Domein Sittard, Collection Provincie Limburg, Collection SCHUNCK Heerlen, among other various private collections in Europe and the U.S.
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Joan van Barneveld
Born 1978, Veghel, the Netherlands
Education
Academie Beeldende Kunsten Maastricht, 1997 – 2001
Van Eyck academy, Maastricht, 2015 - 2016
Selected Exhibitions
2020 Limburg Biënnale, group exhibition, Marres, Maastricht
Seventeen seconds, solo exhibition, Plaatsmaken, Arnhem
Zwischenräume, group exhibition, Rosalux, Berlin, Germany
2019 Put your hand in mine (and don’t look back), group exhibition curated by Hilde Borgermans, part one at Art Brussels, part two at
re(D).gallery Antwerpen, Belgium
2018 (slow heavy metal music playing), solo exhibition, re(D).gallery Antwerpen, Belgium
Into the void, solo exhibition, Alex51, Maastricht
2017 Ghost Tropic, solo exhibition, Gerhard Hofland gallery, Amsterdam
Recent acquisitions, group show, De Nederlandsche Bank, Amsterdam
Day for night, solo exhibition, LMAKgallery, New York, U.S.
2016 How to disappear completely, group show curated by Yasmijn Jarram, Garage, Rotterdam
Between the bars; Joan van Barneveld, Manor Grunewald, Nicholas Lachance, group show, Redgallery Antwerpen, Belgium
Parallel Kick-off, group show, Poppodium De Nieuwe Nor, Heerlen
MIRROR/STAGE, solo exhibition, Bonnefantenmuseum Maastricht
Van Eyck open studio’s, Jan van Eyck academy Maastricht
2015 Koempels, group exhibition curated by Lene ter Haar, Framer Framed, Amsterdam
2014 Thrilling autonomy, group show in conjunction with Eindhoven Psych Lab, Onomatopee, Eindhoven
INTO LONGING, VAST ROCK, exhibition /book with Onomatopee, Eindhoven
Beating around the bush, group exhibition, Bonnefantenmuseum Maastricht
Bad Moon Rising, solo exhibition, Paul Loya gallery, Los Angeles, U.S.
2013 Bad Moon Rising, solo exhibition, LMAK Projects, New York, U.S.
Gulf, group show, Fordham University Gallery, New York, U.S.
CODA Black, group show, CODA Museum, Apeldoorn
HIT THE LIGHTS, group show, Paul Loya Gallery, Los Angeles, U.S.
Dream like state, solo exhibition, Van Sint Fiet underground gallery, Maastricht
2012 New work, Galerie 48, Breda
Voor eeuwig de jouwe, group show, SCHUNCK, Heerlen
Keep the ghosts away, group show, Van Eyck academy, Maastricht
2011 Een i treurend om een punt, group show, SCHUNCK, Heerlen
Stages, solo exhibition, LMAKprojects, New York, U.S.
Vermutlichungen, solo exhibition, Raum für Kunst, Aachen, Germany (catalogue)
2010 Lucht is tastbaarder dan mijn gedachten, group show, Chateau d’Aspremont Lynden, Rekem, Belgium
Painting, five perspectives, group show, Tegenboschvanvreden gallery, Amsterdam
The Invisible Colour, collection presentation, Bonnefantenmuseum Maastricht
2009 Until my darkness goes, group show, LMAKprojects, New York, U.S.
Echoes, solo exhibition, Museum Het Domein, Sittard (catalogue)
Schunck@pinkpop newseum, Pinkpop Landgraaf
2008 Schunk Collectors House, Schunk Glaspaleis, Heerlen
Dutch Royal Prize for Painting, 2008, GEM Den Haag
Parkstad Limburg Prijs 2008, Stadsgalerij Heerlen
Recent Acquisitions, Bonnefantenmuseum Maastricht
Mooi niet, Gouvernement Maastricht
2007 Fresco, de Fabriek Eindhoven
Prospect park, Bonnefantenmuseum Maastricht
2006 Space invaded, B32 Artspace Maastricht
Im atelier, IKOB, Museum für Zeitgenössische Kunst, Eupen, Belgium
Lovehatelove, Marktstraat 10 Roermond
Grants/Prizes
Mondriaan Fund Stipendium for Established Artists, 2017
Best designed dutch book 2014 for Joan van Barneveld, INTO LONGING, VAST ROCK
Mondriaan Fund grant for residency at the Van Eyck academy, Maastricht, 2015/2016
Mondriaan Fund grant for the project/book INTO LONGING, VAST ROCK with Onomatopee Eindhoven, 2014
FBKVB basisstipendium, 2010
FBKVB project grant for installation Kurt Cobain’s greenhouse at Museum Het Domein Sittard, 2009
Publications
Into the void, exhibition publication, essayEdition #16 Alex51
Movements and centres, Freek Lomme and Joan van Barneveld, 2015, published by Onomatopee, ISBN:
978-94-91677-32-8
INTO LONGING, VAST ROCK , monography with essays by Jan Tumlir, René Gabriëls and Freek Lomme,
published by Onomatopee, 2014, ISBN: 978-94-91677-20-5
Vermutlichungen, exhibition catalogue, 2011, Raumfürkunst Aachen
Re: Happy Days, edition,OMP38,Onomatopee, Eindhoven, 2010, ISBN: 978-90-78454-39-7
Echoes, exhibition catalogue,Museum Het Domein Sittard, 2009, ISBN: 978-90-75883-46-6
Selected Studio Albums
Freek Lomme, Joan van Barneveld, Gert-Jan Prins, Songs about the business, 7”single, De player DOB 083
Teenage Slaves of Satan, Poison moon, 2020, Masturbation classics ( subsequent titles also )
Teenage Slaves of Satan, Icauandi, 2020
Teenage Slaves of Satan, ITHLOYS, LP, 2016
Teenage Slaves of Satan, T.S.O.S. IV, cd, 2014
Teenage Slaves of Satan, T.S.O.S. III, cd, 2013
Teenage Slaves of Satan, T.S.O.S. II, cd, 2012
Teenage Slaves of Satan, T.S.O.S. I, cd, 2012
Viberider, The big show, cd, 2010, Rough Trade / Masturbation classics
Viberider, Split for michigan, 10” record, 2009
Viberider, Evolve the long lead, cd, 2006
Psychoschq, Prospect park, cd, 2006
Selected Collections
Collection De Nederlandsche Bank, DSM Art Collection, Collection Bonnefantenmuseum Maastricht, Collection Museum Het Domein Sittard, Collection Provincie Limburg
Collection SCHUNCK Heerlen, various private collections in Europe and the U.S.
Residencies and Projects
2019 – 2020 Working period at Plaatsmaken Arnhem.
Visiting artist MAFAD fine arts Maastricht.
2017 Visiting artist 3rd year students, MAFAD Maastricht,
2016 Mentor for project Parallel, Maastricht/ Heerlen, September – November 2016
2015 – 2016 Residency at the Van Eyck academy, Maastricht,
2014 February/March. INTO LONGING, VAST ROCK, working period at Onomatopee project space, Eindhoven 2011 April. Residency at Raid Projects, Los Angeles, U.S.
Guest artist / selection committee Limburg Biënnale, Marres, Maastricht
Presentation on the process of creating artwork for T.S.O.S. albums, MAFAD Maastricht,
Born 1978, Veghel, the Netherlands
Education
Academie Beeldende Kunsten Maastricht, 1997 – 2001
Van Eyck academy, Maastricht, 2015 - 2016
Selected Exhibitions
2020 Limburg Biënnale, group exhibition, Marres, Maastricht
Seventeen seconds, solo exhibition, Plaatsmaken, Arnhem
Zwischenräume, group exhibition, Rosalux, Berlin, Germany
2019 Put your hand in mine (and don’t look back), group exhibition curated by Hilde Borgermans, part one at Art Brussels, part two at
re(D).gallery Antwerpen, Belgium
2018 (slow heavy metal music playing), solo exhibition, re(D).gallery Antwerpen, Belgium
Into the void, solo exhibition, Alex51, Maastricht
2017 Ghost Tropic, solo exhibition, Gerhard Hofland gallery, Amsterdam
Recent acquisitions, group show, De Nederlandsche Bank, Amsterdam
Day for night, solo exhibition, LMAKgallery, New York, U.S.
2016 How to disappear completely, group show curated by Yasmijn Jarram, Garage, Rotterdam
Between the bars; Joan van Barneveld, Manor Grunewald, Nicholas Lachance, group show, Redgallery Antwerpen, Belgium
Parallel Kick-off, group show, Poppodium De Nieuwe Nor, Heerlen
MIRROR/STAGE, solo exhibition, Bonnefantenmuseum Maastricht
Van Eyck open studio’s, Jan van Eyck academy Maastricht
2015 Koempels, group exhibition curated by Lene ter Haar, Framer Framed, Amsterdam
2014 Thrilling autonomy, group show in conjunction with Eindhoven Psych Lab, Onomatopee, Eindhoven
INTO LONGING, VAST ROCK, exhibition /book with Onomatopee, Eindhoven
Beating around the bush, group exhibition, Bonnefantenmuseum Maastricht
Bad Moon Rising, solo exhibition, Paul Loya gallery, Los Angeles, U.S.
2013 Bad Moon Rising, solo exhibition, LMAK Projects, New York, U.S.
Gulf, group show, Fordham University Gallery, New York, U.S.
CODA Black, group show, CODA Museum, Apeldoorn
HIT THE LIGHTS, group show, Paul Loya Gallery, Los Angeles, U.S.
Dream like state, solo exhibition, Van Sint Fiet underground gallery, Maastricht
2012 New work, Galerie 48, Breda
Voor eeuwig de jouwe, group show, SCHUNCK, Heerlen
Keep the ghosts away, group show, Van Eyck academy, Maastricht
2011 Een i treurend om een punt, group show, SCHUNCK, Heerlen
Stages, solo exhibition, LMAKprojects, New York, U.S.
Vermutlichungen, solo exhibition, Raum für Kunst, Aachen, Germany (catalogue)
2010 Lucht is tastbaarder dan mijn gedachten, group show, Chateau d’Aspremont Lynden, Rekem, Belgium
Painting, five perspectives, group show, Tegenboschvanvreden gallery, Amsterdam
The Invisible Colour, collection presentation, Bonnefantenmuseum Maastricht
2009 Until my darkness goes, group show, LMAKprojects, New York, U.S.
Echoes, solo exhibition, Museum Het Domein, Sittard (catalogue)
Schunck@pinkpop newseum, Pinkpop Landgraaf
2008 Schunk Collectors House, Schunk Glaspaleis, Heerlen
Dutch Royal Prize for Painting, 2008, GEM Den Haag
Parkstad Limburg Prijs 2008, Stadsgalerij Heerlen
Recent Acquisitions, Bonnefantenmuseum Maastricht
Mooi niet, Gouvernement Maastricht
2007 Fresco, de Fabriek Eindhoven
Prospect park, Bonnefantenmuseum Maastricht
2006 Space invaded, B32 Artspace Maastricht
Im atelier, IKOB, Museum für Zeitgenössische Kunst, Eupen, Belgium
Lovehatelove, Marktstraat 10 Roermond
Grants/Prizes
Mondriaan Fund Stipendium for Established Artists, 2017
Best designed dutch book 2014 for Joan van Barneveld, INTO LONGING, VAST ROCK
Mondriaan Fund grant for residency at the Van Eyck academy, Maastricht, 2015/2016
Mondriaan Fund grant for the project/book INTO LONGING, VAST ROCK with Onomatopee Eindhoven, 2014
FBKVB basisstipendium, 2010
FBKVB project grant for installation Kurt Cobain’s greenhouse at Museum Het Domein Sittard, 2009
Publications
Into the void, exhibition publication, essayEdition #16 Alex51
Movements and centres, Freek Lomme and Joan van Barneveld, 2015, published by Onomatopee, ISBN:
978-94-91677-32-8
INTO LONGING, VAST ROCK , monography with essays by Jan Tumlir, René Gabriëls and Freek Lomme,
published by Onomatopee, 2014, ISBN: 978-94-91677-20-5
Vermutlichungen, exhibition catalogue, 2011, Raumfürkunst Aachen
Re: Happy Days, edition,OMP38,Onomatopee, Eindhoven, 2010, ISBN: 978-90-78454-39-7
Echoes, exhibition catalogue,Museum Het Domein Sittard, 2009, ISBN: 978-90-75883-46-6
Selected Studio Albums
Freek Lomme, Joan van Barneveld, Gert-Jan Prins, Songs about the business, 7”single, De player DOB 083
Teenage Slaves of Satan, Poison moon, 2020, Masturbation classics ( subsequent titles also )
Teenage Slaves of Satan, Icauandi, 2020
Teenage Slaves of Satan, ITHLOYS, LP, 2016
Teenage Slaves of Satan, T.S.O.S. IV, cd, 2014
Teenage Slaves of Satan, T.S.O.S. III, cd, 2013
Teenage Slaves of Satan, T.S.O.S. II, cd, 2012
Teenage Slaves of Satan, T.S.O.S. I, cd, 2012
Viberider, The big show, cd, 2010, Rough Trade / Masturbation classics
Viberider, Split for michigan, 10” record, 2009
Viberider, Evolve the long lead, cd, 2006
Psychoschq, Prospect park, cd, 2006
Selected Collections
Collection De Nederlandsche Bank, DSM Art Collection, Collection Bonnefantenmuseum Maastricht, Collection Museum Het Domein Sittard, Collection Provincie Limburg
Collection SCHUNCK Heerlen, various private collections in Europe and the U.S.
Residencies and Projects
2019 – 2020 Working period at Plaatsmaken Arnhem.
Visiting artist MAFAD fine arts Maastricht.
2017 Visiting artist 3rd year students, MAFAD Maastricht,
2016 Mentor for project Parallel, Maastricht/ Heerlen, September – November 2016
2015 – 2016 Residency at the Van Eyck academy, Maastricht,
2014 February/March. INTO LONGING, VAST ROCK, working period at Onomatopee project space, Eindhoven 2011 April. Residency at Raid Projects, Los Angeles, U.S.
Guest artist / selection committee Limburg Biënnale, Marres, Maastricht
Presentation on the process of creating artwork for T.S.O.S. albums, MAFAD Maastricht,
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