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Razia Barsatie is an observant artist with an innate intuition for the imagery associated with the subject matter. The accuracy of her work, and the ease with which she develops it, is the result of a focused and organic work process, as if she were following a hidden execution plan. Her imaginative way of thinking allows her to approach personal content portfolios in an uncompromising, intense, sometimes aggressive and confrontational way. With a strange and genuine vulnerability, she entices the audience to participate and agree with her reinterpretations and ghostly connections in what she calls "the world around" through
stories that contain her Caribbean background heritage.
In her research the massala is a mixture of several individual ingredients, each of which has its own smell and taste. She describes this as a combination of bitterness, sweetness, hardness and softness. To her this symbolizes the emotions and feelings of the human
being. She uses turmeric in her work that left a yellow stain. That is symbolically the stain that every individual has in them. The stain of guilt, the stain of trauma, the stain of brokenness, the stain of disappointment, the stain of sin. Tapioca is a material that is
transparent but at the same time very fragile. She uses this material symbolically for the layering of the vulnerable human being.
She just finished her post-graduation from the Rijksakademie van Beeldende Kunsten (2022), is graduated from the Rietveld Academie (2012) and is invited more often to Artist in Residences: CARMA in French Guiana (2019), Thami Mnyele Foundation Award in Amsterdam (2017), Caribbean Linked III Atelier '89 in Aruba (2015), Moengo in Suriname (2014). She got nominated Barsatie has also participated in group exhibitions: De Grote Suriname Tentoonstelling in the Nieuwe Kerk in Amsterdam (2019), Zuiver in Nieuw Dakota in Amsterdam (2016) and many more.
stories that contain her Caribbean background heritage.
In her research the massala is a mixture of several individual ingredients, each of which has its own smell and taste. She describes this as a combination of bitterness, sweetness, hardness and softness. To her this symbolizes the emotions and feelings of the human
being. She uses turmeric in her work that left a yellow stain. That is symbolically the stain that every individual has in them. The stain of guilt, the stain of trauma, the stain of brokenness, the stain of disappointment, the stain of sin. Tapioca is a material that is
transparent but at the same time very fragile. She uses this material symbolically for the layering of the vulnerable human being.
She just finished her post-graduation from the Rijksakademie van Beeldende Kunsten (2022), is graduated from the Rietveld Academie (2012) and is invited more often to Artist in Residences: CARMA in French Guiana (2019), Thami Mnyele Foundation Award in Amsterdam (2017), Caribbean Linked III Atelier '89 in Aruba (2015), Moengo in Suriname (2014). She got nominated Barsatie has also participated in group exhibitions: De Grote Suriname Tentoonstelling in the Nieuwe Kerk in Amsterdam (2019), Zuiver in Nieuw Dakota in Amsterdam (2016) and many more.
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Aangeboden kunstwerken van Razia Barsatie
Tentoonstellingen
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Upcoming:
November 2022 | CUPP collective exchange program – Suriname
2023 – 2025 | Onderzoek theaterplay in kurkuma animation
2023 | Groepstentoonstelling getiteld ‘Labyrinth within’, met Sarojini
Lewis, curator Pauline Burmann en Alida Neslo in SR en NL
2023 | Groepstentoonstelling bij Museum tot Zover in Amsterdam
2023 | Artist in Residency in Trinidad en Tobago
2024 |Groepstentoonstelling Openluchttentoonstelling in Wageningen
2025 | Theatervoostelling als gesamtkunstwerk in het Bijlmer Parktheater
in Amsterdam Zuid-oost
Education
2020 - 2022 | Rijksakademie van Beeldende Kunsten – Amsterdam, Post
graduate
2008 – 2012 | Gerit Rietveld Academy – Amsterdam, BFA
2004 - 2008 | Nola Hatterman Art Academy – Suriname, Prepatory art education
2003 - 2004 | Albert Cameron Instituut (primary kindergarten teacher) - Suriname
1999 - 2003 | Surinaamse Pedagogische Instituut (pre-primary education) -
Suriname
Projects
2020- 2023 | Collectief Un Prati a Patu (CUPP) – art collective with Marjet Zwaans
(NL).
CUPP collective was founded in 2020 by Razia Barsatie (SR) and
Marjet Zwaans (NL) and creates a mental and physical space for
sharing knowledge ans experience around ecological and local
materials, amoung artists in Suriname and the Netherlands.
Awards/Grants
2022 - 2023 | CUPP-collective exchange program: Stichting Stokroos, Thami
Mnyele Foundation Residency Award and Stichting Niemeijer Fonds
2021 | CUPP, Nomination, Theodora Niemeijer Price
Exhibitions
Solo
July 2022 | Solo, Kunst Kan - Amsterdam
2015 | San E Soi Faawe De Koosube/Something that looks so far is actually
very close, permanent public sculptural work - Suriname
2013 | Anxious | Nola Hatterman Art Academie - Suriname
Group
2022 | Open ateliers | Rijksakademie van Beeldende Kunsten - Amsterdam
2021 | Open ateliers | Rijksakademie van Beeldende Kunsten –
Amsterdam
2020 | Crossing Cultures | CBK Zuidoost - Amsterdam
2020 | Open ateliers | Rijksakademie – Amsterdam
2019 - 2020 | De Grote Suriname tentoonstelling | Nieuwe Kerk - Amsterdam
2018 | Visual Art II, Tembe fu Libi | Kibii Foundation – Suriname
2017 | Exhibition and Living Art show celebrating the birthday of Theater
Thalia | Theater Thalia - Suriname
2017 | Ademhalen | actrice role in digital images | Nickerie and Paramaribo
- Suriname
2016 |ZUIVER | Exchange program Gerrit Rietveld Academy & Nola
Hatterman Art Academy | Nieuw Dakota – Amsterdam
2016 | Presentation Caribbean Linked III | Atelier ’89 Gallery – Aruba
Residency
2022 | Rijksakademie van Beeldende Kunsten
2019 | CARMA - Frans Guyana
2017 | Thami Mnyele Foundation Residency Award - Amsterdam
2016 | Caribbean Linked III, Atelier ’89 - Aruba
2015 | Artist in Residency in Moengo, Kibii Foundation - Suriname
Working skills based on Teaching/ workshop
2022 | Workshop ‘Unexpected Memories’ and curate exhibition of Savoury
Memoir with colored spices, Atelier' 86 - Aruba
2022 | Groei en Bloei workshop, ADD COLOR- yellow, Amsterdam
2013 – 2019 | Freelancer Kibii Foundation - Suriname
2012 - 2019 | Art teacher at Nola Hatterman Art Academy - Suriname
2019 | Animation workshops in Saint Joseph- Mana, Frans Guiana
2017- 2019 | Private drawing workshops for seniors
2015 | Drawing workshops in Moengo villages, Ricanau mofo, Ovia Olo,
Pelgrim Kondre - Suriname
Publications
2022 | De geur centraal in het werk van Amsterdamse kunstenaar Razia
Barsatie by Walter van Teeffelen
| Back stage bij de Rijksakademie by Marjolein Sponselee
| Rijksakademie open studio 2022 soft power- Amsterdam,
Metropolism, 46662
| Rijksakademie Publication
| Onderzoek naar gebruik natuurmaterialen in Kunst by Audry
Waywakana, De Ware Tijd Suriname
2021 | Rijksakademie Publication
| Koning bezoekt Open Studios Rijksakademie van beeldende Kunsten
tijdens 150-jarig jubileum
| Tekenkunst by Edith Rijnja, KM magazine #119
| Razia Barsatie presenteert nieuw kunstwerk bij Open Studio
Rijksakademie by Audry Waywakana,
De Ware Tijd Suriname
| Kunstenaars duo dolblij met Theodora Niemeijer prijs by Audry
Waywakana, De Ware Tijd Suriname
| Genomineerd voor de Theodora Niemeijer Prijs by Jan Pieter Ekker,
het Parool Netherlands
| Opkomende kunstenaars experimenteren over ecologisch
materiaalgebruik by Audry Waywakana, De Ware Tijd Suriname
| Entangled Species. Conversations on Contemporary Art by Sasha
Dees, Art Agent Orange.
2020 | Crossing Cultures, 30 years Thami Mnyele Foundation Residency
Awards
| Anniversary Thami Mnyele Foundation Residency Award, The Art
Momentum
| Hoe het koloniale verleden (eindelijk) een plek krijgt by Diewertje
Mertens, VN.nl
2018 | Trendbeheer, Switi Sranan,
| Trendbeheer, Moengo Festival
2017 | Uitgever in de Knipscheer, 'Ademhalen'
2015 | Trendbeheer, Moengo Triënnale
| Kunstobject brengt positieve dichterbij Moengo by Tascha Samuel,
De Ware Tijd Suriname
November 2022 | CUPP collective exchange program – Suriname
2023 – 2025 | Onderzoek theaterplay in kurkuma animation
2023 | Groepstentoonstelling getiteld ‘Labyrinth within’, met Sarojini
Lewis, curator Pauline Burmann en Alida Neslo in SR en NL
2023 | Groepstentoonstelling bij Museum tot Zover in Amsterdam
2023 | Artist in Residency in Trinidad en Tobago
2024 |Groepstentoonstelling Openluchttentoonstelling in Wageningen
2025 | Theatervoostelling als gesamtkunstwerk in het Bijlmer Parktheater
in Amsterdam Zuid-oost
Education
2020 - 2022 | Rijksakademie van Beeldende Kunsten – Amsterdam, Post
graduate
2008 – 2012 | Gerit Rietveld Academy – Amsterdam, BFA
2004 - 2008 | Nola Hatterman Art Academy – Suriname, Prepatory art education
2003 - 2004 | Albert Cameron Instituut (primary kindergarten teacher) - Suriname
1999 - 2003 | Surinaamse Pedagogische Instituut (pre-primary education) -
Suriname
Projects
2020- 2023 | Collectief Un Prati a Patu (CUPP) – art collective with Marjet Zwaans
(NL).
CUPP collective was founded in 2020 by Razia Barsatie (SR) and
Marjet Zwaans (NL) and creates a mental and physical space for
sharing knowledge ans experience around ecological and local
materials, amoung artists in Suriname and the Netherlands.
Awards/Grants
2022 - 2023 | CUPP-collective exchange program: Stichting Stokroos, Thami
Mnyele Foundation Residency Award and Stichting Niemeijer Fonds
2021 | CUPP, Nomination, Theodora Niemeijer Price
Exhibitions
Solo
July 2022 | Solo, Kunst Kan - Amsterdam
2015 | San E Soi Faawe De Koosube/Something that looks so far is actually
very close, permanent public sculptural work - Suriname
2013 | Anxious | Nola Hatterman Art Academie - Suriname
Group
2022 | Open ateliers | Rijksakademie van Beeldende Kunsten - Amsterdam
2021 | Open ateliers | Rijksakademie van Beeldende Kunsten –
Amsterdam
2020 | Crossing Cultures | CBK Zuidoost - Amsterdam
2020 | Open ateliers | Rijksakademie – Amsterdam
2019 - 2020 | De Grote Suriname tentoonstelling | Nieuwe Kerk - Amsterdam
2018 | Visual Art II, Tembe fu Libi | Kibii Foundation – Suriname
2017 | Exhibition and Living Art show celebrating the birthday of Theater
Thalia | Theater Thalia - Suriname
2017 | Ademhalen | actrice role in digital images | Nickerie and Paramaribo
- Suriname
2016 |ZUIVER | Exchange program Gerrit Rietveld Academy & Nola
Hatterman Art Academy | Nieuw Dakota – Amsterdam
2016 | Presentation Caribbean Linked III | Atelier ’89 Gallery – Aruba
Residency
2022 | Rijksakademie van Beeldende Kunsten
2019 | CARMA - Frans Guyana
2017 | Thami Mnyele Foundation Residency Award - Amsterdam
2016 | Caribbean Linked III, Atelier ’89 - Aruba
2015 | Artist in Residency in Moengo, Kibii Foundation - Suriname
Working skills based on Teaching/ workshop
2022 | Workshop ‘Unexpected Memories’ and curate exhibition of Savoury
Memoir with colored spices, Atelier' 86 - Aruba
2022 | Groei en Bloei workshop, ADD COLOR- yellow, Amsterdam
2013 – 2019 | Freelancer Kibii Foundation - Suriname
2012 - 2019 | Art teacher at Nola Hatterman Art Academy - Suriname
2019 | Animation workshops in Saint Joseph- Mana, Frans Guiana
2017- 2019 | Private drawing workshops for seniors
2015 | Drawing workshops in Moengo villages, Ricanau mofo, Ovia Olo,
Pelgrim Kondre - Suriname
Publications
2022 | De geur centraal in het werk van Amsterdamse kunstenaar Razia
Barsatie by Walter van Teeffelen
| Back stage bij de Rijksakademie by Marjolein Sponselee
| Rijksakademie open studio 2022 soft power- Amsterdam,
Metropolism, 46662
| Rijksakademie Publication
| Onderzoek naar gebruik natuurmaterialen in Kunst by Audry
Waywakana, De Ware Tijd Suriname
2021 | Rijksakademie Publication
| Koning bezoekt Open Studios Rijksakademie van beeldende Kunsten
tijdens 150-jarig jubileum
| Tekenkunst by Edith Rijnja, KM magazine #119
| Razia Barsatie presenteert nieuw kunstwerk bij Open Studio
Rijksakademie by Audry Waywakana,
De Ware Tijd Suriname
| Kunstenaars duo dolblij met Theodora Niemeijer prijs by Audry
Waywakana, De Ware Tijd Suriname
| Genomineerd voor de Theodora Niemeijer Prijs by Jan Pieter Ekker,
het Parool Netherlands
| Opkomende kunstenaars experimenteren over ecologisch
materiaalgebruik by Audry Waywakana, De Ware Tijd Suriname
| Entangled Species. Conversations on Contemporary Art by Sasha
Dees, Art Agent Orange.
2020 | Crossing Cultures, 30 years Thami Mnyele Foundation Residency
Awards
| Anniversary Thami Mnyele Foundation Residency Award, The Art
Momentum
| Hoe het koloniale verleden (eindelijk) een plek krijgt by Diewertje
Mertens, VN.nl
2018 | Trendbeheer, Switi Sranan,
| Trendbeheer, Moengo Festival
2017 | Uitgever in de Knipscheer, 'Ademhalen'
2015 | Trendbeheer, Moengo Triënnale
| Kunstobject brengt positieve dichterbij Moengo by Tascha Samuel,
De Ware Tijd Suriname
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