CV
EDUCATION
1982 Yale University, MFA, Photography
1979 Pomona College, BA
SOLO EXHIBITIONS
2011 Drive, Jackson Fine Art, Atlanta, Georgia
2010 Vector Portraits, 3 Punts Galeria, Barcelona, Spain
2009 Vector Portraits, M+B, Los Angeles, CA
Vector Portraits, Julie Saul Gallery, New York, NY
Vector Portraits, Yossi Milo Gallery, New York, NY
2002 Vector Portraits, Angles Gallery, Los Angeles, CA
2001 Prop Portraits, Society for Contemporary Photography,
Kansas City, MO
2000 Prop Portraits, Julie Saul Gallery, New York, NY
1998 Envelopes, Robert Klein, Boston, MA
Fifteen Year Survey, Julie Saul Gallery, New York, NY
Envelopes, Jackson Fine Art, Atlanta, GA
1996 Portraits-Business Cards, Julie Saul Gallery, New York, NY
1995 Envelopes, Angles Gallery, Santa Monica, CA
1995-94 Envelopes Julie Saul Gallery, New York, NY
1993 Bonnettstown, Champion International Corporation, Stamford, CT
Fraenkel Gallery, San Francisco, CA
1992 Vector Portraits, Lieberman & Saul Gallery, New York, NY
1992-91 Vector Portraits, Department of Motor Vechicle Buildings, Los Angeles,
CA
1991 Bonnettstown, Glen/Dash Gallery, Los Angeles, CA
1990 Bonnettstown, Blue Sky Gallery, Portland, OR
Bonnettstown, Chenango Council of the Arts, Norwich, CT
Bonnettstown, Roger Ramsey Gallery, Chicago, IL
1986 Bonnettstown, Greenberg Gallery, St. Louis, MO
Bonnettstown, Lieberman & Saul Gallery, New York, NY
GROUP EXHIBITIONS
2016 I Need to Tell You Something: The Lost Art of Letter Writing and
Communication Today, The Center, Ketchum. Sun Valley Center for the
Arts. ID
2014 UNKNOWN: Portraits of Strangers, Transformer Station, Cleveland, OH
2012 The Roving Eye: Aura and the Contemporary Portrait, Oakland University
Art Gallery, Rochester, MI
2011 Car Fetish. I drive, therefore I am, Museum Tinguely, Basel, Switzerland
25 Years/25 Artists, Julie Saul Gallery, New York, New York
2010 In Color: New American Stories from LACMA’s Photography Collection,
The Los Angeles County Museum, Los Angeles, CA
Surface Tension: Contemporary Photographs from the Collection,
Metropolitan Museum of Art, New York, NY
Bedtime for Bonzo, curated by Matthew Porter, M+B Gallery,
Los Angeles, CA
2009 Worlds Away: New Surburban Landscapes, Yale School of Architecture,
New Haven, CT
2008 Worlds Away, New Suburban Landscapes, Carnegie Museum of Art,
Pittsburgh, PA
Worlds Away, New Suburban Landscapes, Walker Art Center,
Minneapolis, MN, catalogue
Stalking Suburbia, The Westport Arts Center, Westport, Connecticut
2004 Poul Kjaerholm and Selected Art Works, Sean Kelly Gallery, New York,
NY
2002 Surrounding Interiors: Views Inside the Car, Davis Museum and Cultural
Center, Wellesley, MA
Ich Bin Mein Auto: Die Maschinalen Ebenbilder der Menschen, Statlich
Kunsthalle, Baden-Baden
Text/Textile: Words and Weaving in Contemporary Art, Deutsche Bank
Lobby Gallery, West 52nd St., New York, NY
2001 Reconsidering the Renaissance, Bridgewater/Lustberg & Blumenfeld,
New York, NY
Avant-Premiere 6, Galerie Claude Samuel, Paris, FR
Show Me the Money - The Dollar as Art, Trust for Museum Exhibitions
2000 Photography Now: An International Survey of Contemporary
Photography, The Contemporary Arts Center, New Orleans, LA
Rearview Mirror: Automobile Images and American Identities, California
Museum of Photography, University of California, Riverside
SoCal Car Culture, The Irvine Fine Arts Center, Irvine, CA
Breathless! - Photography and Time, The Canon Photography Gallery at
the V&A, London, UK
MoneyMaking: The Fine Art of Currency at the Millenium, Federal
Reserve, Washington, D.C.
1999 Summer Reading, Yancey Richardson Gallery, New York, NY
Duration and Whenever, Angles Gallery, Santa Monica, CA
A Survey of Interior Imaging from X-ray to MRI, Julie Saul Gallery, New
York, NY
1998 Interiors, Champion International Corporation, Stamford, CT
A Thin Line, Bard College, Annadale-on-Hudson, NY
1997 Figure and Landscape, Montgomery Glasoe Fine Art, Minneapolis, MN
1996 Recent Acquisitions, San Francisco Museum of Modern Art, San
Francisco, CA
Photographics, Cleveland Center for Contemporary Art, Cleveland, OH
Portraits, 1991-1996, Julie Saul Gallery, New York, NY
Blind Spot Photography: The First Four Years, Paolo Baldacci Gallery,
NY
1995 Verisimilitude and the Utility of Doubt, White Columns, NY
P.L.A.N.: Photography Los Angeles Now, LA County Museum of Art,
Los Angeles, CA
The Joy of Painting, HERE, NY
Recent Acquisitions, LA County Museum, Los Angeles, CA
Megan Fox Gallery, Santa Fe, NM
1994 Champion International Corporation, Stamford, CT
Fraenkel Gallery, San Francisco, CA
Serial/Images, Angles Gallery, Santa Monica, CA, 1994
Lousy Fear, Randolph Street Gallery, Chicago, IL
1993 Commodity Image, International Center of Photography Midtown, New
York, NY
Vector Portraits, Julie Saul Gallery, New York, NY
1991 Metropolitan Museum of Art, New York, NY
MetLife Gallery, New York, NY
Off the Beaten Track, Security Pacific Bank, Cost Mesa, CA
Didactics--Aspects of Photography, Victoria & Albert Museum, London,
UK
1990 Gardner Arts Center, University of Sussex, UK
1989 Recent Acquisitions, Art Institute of Chicago, Chicago, IL
1988 Art at Pomona College, Claremont, CA
1986 Rice University Media Center, Austin, TX
The Parrish Museum, Southampton, NY
1985 Lieberman & Saul Gallery, New York, NY
Daniel Wolf Gallery, New York, NY
Photographs of Flowers from the Collection of Sam Wagstaff, Detroit
Museum of Art, Detroit, MI
The Photographers' Gallery, London, UK
1984 Color Photographs - Recent Acquisitions, Museum Of Modern Art, New
York, NY
Olympus Camera Gallery, London, UK
PUBLICATIONS AND REVIEWS
2009 Genocchio, Benjamin, “From Malls to Homes to Cars, the Transitioning
of Suburbia”, The New York Times, April 19, 2009.
“Journeys,” The New Yorker, April 20, 2009.
Pundyk, Anne, “A Glance Backward While Driving Over the Edge,” The
Brooklyn Rail, May 2009.
“The Chase,” The New Yorker, May 7, 2009.
Balhetchet, Sophie, “Andrew Bush: Vector Portraits,” HotShoe Magazine,
June-July 2009.
Moret, A., “Andrew Bush: ‘Vector Portraits’ at M + B,” Art Ltd.,
November 2009.
2008 Blauvelt, Andrew, ed. Worlds Away, New Suburban Landscapes,
Minneapolis: Walker Art Center, 2008.
Le Monde, portfolio, July/August 2008.
2005 Kennedy, Marla Hamburg, Looking at Los Angeles, New York,
Metropolis Books, 2005.
2004 Siegel, Katy and Mattick, Paul, Money, London: Thames and Hudson,
2004.
2003 “The Metropolitan Museum of Art – The Collection: Photographs,”
www.metmuseum.org June 2003.
Bush, Andrew, Nest, Final Nest: Bonnettstown Hall, Summer 2003.
2001 Bilstein, Johannes and Winzen, Matthias, eds., Ich Bin Mein Auto, Die
Maschinalen Ebenbilder des Menschen, Koln: Konig, 2001.
Hackman, Kate, “Prop Stars”, The Kansas City Star, February 23, 2001.
2000 Rearview Mirror, Automobile Images and American Identities, (Editor,
Kevin Jon Boyle) California Museum of Photography, UC Riverside/
CMP, 2000.
1999 Loke, Margaret, "Paying Homage to Books (Those With Covers)," The
New York Times, August 1999.
1998 Saltz, Jerry, “Andrew Bush,” Time Out, March 26, 1998
Voice Choices, March 10, 1998.
Walcott, Ellison Austen, “Andrew Bush, A Fifteen Year Survey,” March
15, 1998.
Solomon, Carrie, “Andrew Bush: Perceived”, A Thin Line, Bard College,
1998.
1996 Loke, Margarett, “Andrew Bush,” The New York Times, March 27, 1998
Blind Spot, Issue 7, 1996.
Schwendener, Martha, “Andrew Bush at Julie Saul,” Art in America,
December 1996.
Schwendener, Martha, Art in America, December 1996.
1995 Grunstein, Raoul, “Ajovaylien Asukkaat,” Image, November 1995.
1994 Hagen, Charles, “Andrew Bush,” The New York Times, December 9, 1994.
“Recent Acquisitions - A Selection: 1993-1994", The Metropolitan
Museum of Art Bulletin, Fall 1994.
1993 Hagen, Charles, “The Camera as a Weapon to Assault Modern Ills,” The
New York Times, June 11, 1993.
Bush, Andrew, “Driving Through the Museum, Not to the Museum”, Los
Angeles Times, May 10, 1993.
Goldberg, Vicki, “Days of Getting, Spending and Photography, Too,” The
New York Times, May 30, 1993.
1992 Hagen, Charles, “People in Their Cars, Driving Along,” The New York
Times, March 27, 1992.
“Man at his Best,” Esquire, July 1992.
Aletti, Vince, “Photo”, The Village Voice, April 14, 1992.
“Best Photos in the Metropolitan,” Marie Claire (Japan), September 1992
“Personalien,” Der Spiegel (Germany), December 1992.
1991 Aletti, Vince, “Summer Selection - Metropolitan Museum,” The Village
Voice, July 16, 1991. Ill.
Russell, John, “There’s Something New Under the Sun at the Met,” The
New York Times, July 14, 1991.
Lorenzelli, Tiziana, “Los Angeles: Vita Sulle Freeways,” Domus
Magazine, October 1991.
1989 Malcolm, Janet, “Books, Pink Roses,” The New Yorker, June 26, 1989
1986 Grundberg, Andy, “Critic’s Choice,” The New York Times, May 25, 1986
LaRouche, Robert, “The Looks, Life of an Irish Manor,” St. Louis Post -
Dispatch, June30, 1986.
Grainick, Herbert, “Irish Home’s Ambience Captured in Photos,” St. Louis
Globe - Democrat, July 12-13, 1986.
O’Reilly, “Review,” June 10, 1986.
PUBLIC COLLECTIONS
Art Institute of Chicago, Chicago, IL
Bibliothèque Nationale, Paris, France
George Eastman House, Rochester, NY
International Center of Photography, NY
J. Paul Getty Museum, Los Angeles, CA
Los Angeles County Museum of Art, Los Angeles, CA
Metropolitan Museum of Art, New York, NY
Museum of Fine Arts, Houston, TX
Museum of Modern Art, New York, NY
San Francisco Museum of Modern Art, San Francisco, CA
Schwartz Art Collection, Harvard Business School, Cambridge, MA
St. Louis Art Museum, St. Louis, MO
Victoria & Albert Museum, London, United Kingdom
Yale University Art Gallery, Hartford, CT