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Through a multidisciplinary approach, Aline Bouvy’s work questions society issues. She claims a certain unknown freedom in relation to the norms that unconsciously model our desires and dictate what is morally and aesthetically acceptable. From this perspective, she tries to integrate in her creative process elements and residues considered as “dirty” or aesthetically “ugly” in order to liberate herself from any categorization. In a subtle way, she makes it her duty to highlight the crude and outdated side of these wasted elements.
Born in 1974 in Belgium, Aline Bouvy currently lives and works in Brussels.
Born in 1974 in Belgium, Aline Bouvy currently lives and works in Brussels.
Kunstwerken
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Highlights
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Tentoonstellingen
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Aangeboden kunstwerken van Aline Bouvy
Tentoonstellingen
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EDUCATION
2009
Cité Internationale des Arts, Paris (F)
1999 – 2001
Jan van Eyck Academie, Maastricht (NL)
1995 – 1999
Ecole de Recherche Graphique, Brussels (BE)
SOLO EXHIBITIONS
2020
PUP – Die Kabarett Version, IKOB, Eupen (BE)
Splendeur et Décadence des Sirènes, New Space, Space Collection, Liège (BE)
2019
PUP, Künstlerhaus Bethanien, Berlin (DE)
Nominated for the Robert Schuman Art Prize, Luxembourg (LU)
2018
Bastinado, Aline Bouvy, Galerie Albert Baronian, Brussels (BE)
People With Vaginas, Nausbaum Reding, Luxembourg (LU)
Maturity, Loggia, Munich (DE)
Slender Thrills, A Temporary Monument For Brussel-Art in Public Space, curated by Artlead,Place Sainctelette, Brussels (BE)
NEIGHBOURG 7, Jan Colle Galerij, Ghent (BE)
2017
The future of not working, curated by Louise Osieka, CIAP, Hasselt (BE)
2016
Heavy Fuckry / I don’t need you to feed me, Ghent (BE)
Who will wear my teeth as amulets?, Motel , Brooklyn, (USA)
Urine Mate, Albert Baronian, Brussels (BE)
2015
Sorry I slept with your dog, Exo Exo, Paris (FR)
I’m not interested in humans these days, Le Salon, Brussels (BE)
Man-made objects, curated by Lieven Seghers & Frank Koolen, 120 minutes, Brussels (BE)
2014
Politics of Intimacy, Nosbaum Reding, Luxembourg (LU)
Forme et Langage de l’Empathie, Espace d’Arts Plastiques Madeleine Lambert, Vénissieux/Lyon (FR)
2013
It tastes like shit, it is shit, want a toothbrush, NICC, Brussels (BE)
SELECTED GROUP EXHIBITIONS
2021
ceramicarpet, Galerie Baronian Xippas, Brussels (BE)
2020
Body Fluids, Group show curated by Gilles Neiens & Johannes Honeck, Saarländische Galerie – Europäisches Kunstforum, Berlin (DE)
2019
Labour curated by Komplot, Constantin Meunier Museum, Brussels (BE)
Views from the top by Aline Bouvy, Erwan Mahéo and Master students of La Cambre, Brussels city center (BE)
Prix Robert Schuman, Villa Vauban, Luxembourg (LU)
Open Studios, Kunstlerhaus Bethanien, Berlin (DE)
Bad Romance, Gussglashalle, commissaire: +Dede, Berlin (DE)
A closed mouth gathers no feet, Dash, commissaire: Joachim Coucke, Courtrai (BE)
2018
Even if it’s Jazz or the Quiet Storm, NEST ruimte voor kunst, The Hague (NL)
Late Dawn, Mélange, Cologne (DE)
Norma, Maison Pelgrims, Brussels (BE)
Une Ile, Echo des Vagues, Ile d’yeux (FR)
L’esprit souterrain, Domaine Pommery, curated By Hugo Vitrani, Reims (FR)
Neighbours Vol.7: Scenography – curated by Manor Grunewald, Galerie Jan Colle, Gent (BE)
Scar/Face, Galerie Ceysson-Bénétière, Paris (FR)
A Temporary Monument For Brussels, intervention dans l’espace public, Artlead, Bruxelles (BE)
Somewhere in Between, Bozar, Brussels (BE)
Collection Nr 8, Hotel L’amigo, curated by Interior & the Collectors, Brussels (BE)
Agua del dia, Bâtiment Vander Borght, Brussels (BE)
Agua Del Dia, El quinto pisco, curated by Rodrigue Mouchez, Mexico DF (MX)
2017
Pale, Havoc, duoshow with Simon Davenport, Maison Grégoire – Observatoire Galerie, Brussels (BE)
Soft Cell, Center, Berlin (DE)
Unclear Clarity, ABC Klubhuis, Antwerp (BE)
How deep is your love?, Cooper Cole Gallery, curated by Jenine Marsh, Toronto, (CA)
Plant B, Parc de la Fonderie, curated by Toke Lykkeberg and Sonia Dermience, Brussels (BE)
Le règne de l’harmonie, Le quadrilatère, curated by Tiphanie Dragaut-Lupescu, Beauvais (FR)
A shooting star is not a Star, Roberta Pelan, Toronto (CA)
Hypokeimenon-En dessous du sang, Galerie Nadine Feront, curated by Nils-Alix Tabeling, Brussels (BE)
L’Ecart Absolu, Le Quadrilatère, curated by Tiphanie Dragaut-Lupescu, Beauvais (FR)
Laurel, Greenpoint, curated by Tatiana Kronberg, Rosie Motley and Laurence Dujardyn, Brooklyn (US)
Form, Cannibalism, The stable, Waregem (BE)
Heat Company II, After Howl, Brussels (BE)
2016
Les Sept Péchés Spectraux, Galerie Arnaud Deschin, Paris (FR)
Transition, Galerie Alain Gutharc, Paris (FR)
A Last Song For The Titanic Orchestra / In the frame of the inauguration of the Billboard Series #5, ArtLead invites Diesel Project Space, Seraing (BE)
Blue Plate Special, curated by Stéphanie Hier et Larissa Lockshin, Dead Horse Bay, Brooklyn (US)
A Thousand Friends, curated by Elisa Rigoulet et Antoine Donzeaud, New Jörg Gallery, Vienne (AU)
Festival Arts Numériques, Isi Lab, Montpellier (FR)
Grands Formats, Musée National d’Art et d’Histoire, Luxembourg (LU)
Retiens la nuit, curated by Hugo Vitrani, Galerie Rabouan Moussion, Paris (FR)
Highway Raven, Diesel Project Space, curated by X. Mary et N. Merca, Liège (BE)
2015
Friendly Faces, curated by Middlemarch, Johannes Vogt Gallery, New York (US)
How my mother got hacked, Aline Bouvy, Adam Cruces and Nicolas Pelzer, curated by Joachim Coucke, DASH, Kortrijk (BE)
I’MTen, IMT Gallery, London (UK)
To blow smoke in order to heal, curated by Aline Bouvy and Xavier Mary, Albert Baronian, Brussels (BE)
Break Out!, curated by Julian Elias Bronner and Benjamin Faust Weber, Frédéric de Goldschmidt Collection, Brussels (BE)
Trust (with The After Lucy Experiment) curated by Sonia Dermience, Copenhagen Art Frestival, Copenhagen (DK)
New Pabulum, duo show with Simon Davenport, curated by Juste Kostikovaite, Kunstraum, London (UK)
2014
Andrew Birk, Aline Bouvy, Absalon Kirkeby, Christopher Crescent Gallery, Brussels (BE)
Natura Lapsa, curated by Yann Chevalier and Laurent Le Deunff, Le Confort Moderne, Poitiers (FR)
Paradise Lost, Damien & The Love Guru, Brussels (BE)
Trailers for the Future, Yoko Uhoda Gallery, Liège (BE)
My Legs Up And Exposed To The World My Bottom Under The Jean-Trousers, Nosbaum Reding Projects (LU)
Return to Sender, curated by KAOS – Kunstatelier Opperstraat, WIELS, Brussels (BE)
Vive l’Eté, Galerie Olivier Biltereyst, curated by D. Delepeleire, Brussels (BE)
Bien ou Bien, Mon Chéri, Brussels (BE)
Obliteration Devices, IMT Gallery, London (UK)
Are You Thinking About Atlantis?, Parallel, Oaxaca (MEX)
Material Art Fair, Komplot, Mexico DF (MEX)
Acid Rain, Island, Brussels (BE)
2009
Cité Internationale des Arts, Paris (F)
1999 – 2001
Jan van Eyck Academie, Maastricht (NL)
1995 – 1999
Ecole de Recherche Graphique, Brussels (BE)
SOLO EXHIBITIONS
2020
PUP – Die Kabarett Version, IKOB, Eupen (BE)
Splendeur et Décadence des Sirènes, New Space, Space Collection, Liège (BE)
2019
PUP, Künstlerhaus Bethanien, Berlin (DE)
Nominated for the Robert Schuman Art Prize, Luxembourg (LU)
2018
Bastinado, Aline Bouvy, Galerie Albert Baronian, Brussels (BE)
People With Vaginas, Nausbaum Reding, Luxembourg (LU)
Maturity, Loggia, Munich (DE)
Slender Thrills, A Temporary Monument For Brussel-Art in Public Space, curated by Artlead,Place Sainctelette, Brussels (BE)
NEIGHBOURG 7, Jan Colle Galerij, Ghent (BE)
2017
The future of not working, curated by Louise Osieka, CIAP, Hasselt (BE)
2016
Heavy Fuckry / I don’t need you to feed me, Ghent (BE)
Who will wear my teeth as amulets?, Motel , Brooklyn, (USA)
Urine Mate, Albert Baronian, Brussels (BE)
2015
Sorry I slept with your dog, Exo Exo, Paris (FR)
I’m not interested in humans these days, Le Salon, Brussels (BE)
Man-made objects, curated by Lieven Seghers & Frank Koolen, 120 minutes, Brussels (BE)
2014
Politics of Intimacy, Nosbaum Reding, Luxembourg (LU)
Forme et Langage de l’Empathie, Espace d’Arts Plastiques Madeleine Lambert, Vénissieux/Lyon (FR)
2013
It tastes like shit, it is shit, want a toothbrush, NICC, Brussels (BE)
SELECTED GROUP EXHIBITIONS
2021
ceramicarpet, Galerie Baronian Xippas, Brussels (BE)
2020
Body Fluids, Group show curated by Gilles Neiens & Johannes Honeck, Saarländische Galerie – Europäisches Kunstforum, Berlin (DE)
2019
Labour curated by Komplot, Constantin Meunier Museum, Brussels (BE)
Views from the top by Aline Bouvy, Erwan Mahéo and Master students of La Cambre, Brussels city center (BE)
Prix Robert Schuman, Villa Vauban, Luxembourg (LU)
Open Studios, Kunstlerhaus Bethanien, Berlin (DE)
Bad Romance, Gussglashalle, commissaire: +Dede, Berlin (DE)
A closed mouth gathers no feet, Dash, commissaire: Joachim Coucke, Courtrai (BE)
2018
Even if it’s Jazz or the Quiet Storm, NEST ruimte voor kunst, The Hague (NL)
Late Dawn, Mélange, Cologne (DE)
Norma, Maison Pelgrims, Brussels (BE)
Une Ile, Echo des Vagues, Ile d’yeux (FR)
L’esprit souterrain, Domaine Pommery, curated By Hugo Vitrani, Reims (FR)
Neighbours Vol.7: Scenography – curated by Manor Grunewald, Galerie Jan Colle, Gent (BE)
Scar/Face, Galerie Ceysson-Bénétière, Paris (FR)
A Temporary Monument For Brussels, intervention dans l’espace public, Artlead, Bruxelles (BE)
Somewhere in Between, Bozar, Brussels (BE)
Collection Nr 8, Hotel L’amigo, curated by Interior & the Collectors, Brussels (BE)
Agua del dia, Bâtiment Vander Borght, Brussels (BE)
Agua Del Dia, El quinto pisco, curated by Rodrigue Mouchez, Mexico DF (MX)
2017
Pale, Havoc, duoshow with Simon Davenport, Maison Grégoire – Observatoire Galerie, Brussels (BE)
Soft Cell, Center, Berlin (DE)
Unclear Clarity, ABC Klubhuis, Antwerp (BE)
How deep is your love?, Cooper Cole Gallery, curated by Jenine Marsh, Toronto, (CA)
Plant B, Parc de la Fonderie, curated by Toke Lykkeberg and Sonia Dermience, Brussels (BE)
Le règne de l’harmonie, Le quadrilatère, curated by Tiphanie Dragaut-Lupescu, Beauvais (FR)
A shooting star is not a Star, Roberta Pelan, Toronto (CA)
Hypokeimenon-En dessous du sang, Galerie Nadine Feront, curated by Nils-Alix Tabeling, Brussels (BE)
L’Ecart Absolu, Le Quadrilatère, curated by Tiphanie Dragaut-Lupescu, Beauvais (FR)
Laurel, Greenpoint, curated by Tatiana Kronberg, Rosie Motley and Laurence Dujardyn, Brooklyn (US)
Form, Cannibalism, The stable, Waregem (BE)
Heat Company II, After Howl, Brussels (BE)
2016
Les Sept Péchés Spectraux, Galerie Arnaud Deschin, Paris (FR)
Transition, Galerie Alain Gutharc, Paris (FR)
A Last Song For The Titanic Orchestra / In the frame of the inauguration of the Billboard Series #5, ArtLead invites Diesel Project Space, Seraing (BE)
Blue Plate Special, curated by Stéphanie Hier et Larissa Lockshin, Dead Horse Bay, Brooklyn (US)
A Thousand Friends, curated by Elisa Rigoulet et Antoine Donzeaud, New Jörg Gallery, Vienne (AU)
Festival Arts Numériques, Isi Lab, Montpellier (FR)
Grands Formats, Musée National d’Art et d’Histoire, Luxembourg (LU)
Retiens la nuit, curated by Hugo Vitrani, Galerie Rabouan Moussion, Paris (FR)
Highway Raven, Diesel Project Space, curated by X. Mary et N. Merca, Liège (BE)
2015
Friendly Faces, curated by Middlemarch, Johannes Vogt Gallery, New York (US)
How my mother got hacked, Aline Bouvy, Adam Cruces and Nicolas Pelzer, curated by Joachim Coucke, DASH, Kortrijk (BE)
I’MTen, IMT Gallery, London (UK)
To blow smoke in order to heal, curated by Aline Bouvy and Xavier Mary, Albert Baronian, Brussels (BE)
Break Out!, curated by Julian Elias Bronner and Benjamin Faust Weber, Frédéric de Goldschmidt Collection, Brussels (BE)
Trust (with The After Lucy Experiment) curated by Sonia Dermience, Copenhagen Art Frestival, Copenhagen (DK)
New Pabulum, duo show with Simon Davenport, curated by Juste Kostikovaite, Kunstraum, London (UK)
2014
Andrew Birk, Aline Bouvy, Absalon Kirkeby, Christopher Crescent Gallery, Brussels (BE)
Natura Lapsa, curated by Yann Chevalier and Laurent Le Deunff, Le Confort Moderne, Poitiers (FR)
Paradise Lost, Damien & The Love Guru, Brussels (BE)
Trailers for the Future, Yoko Uhoda Gallery, Liège (BE)
My Legs Up And Exposed To The World My Bottom Under The Jean-Trousers, Nosbaum Reding Projects (LU)
Return to Sender, curated by KAOS – Kunstatelier Opperstraat, WIELS, Brussels (BE)
Vive l’Eté, Galerie Olivier Biltereyst, curated by D. Delepeleire, Brussels (BE)
Bien ou Bien, Mon Chéri, Brussels (BE)
Obliteration Devices, IMT Gallery, London (UK)
Are You Thinking About Atlantis?, Parallel, Oaxaca (MEX)
Material Art Fair, Komplot, Mexico DF (MEX)
Acid Rain, Island, Brussels (BE)
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