29 november 2025, Flor Linckens
6 exhibitions to catch before they close
This selection highlights six exhibitions that are nearing their end and that are worth a final visit for very different reasons. View the full exhibition overview here.
Until 13 December, Rademakers Gallery is presenting the group exhibition ‘SOFT! Textile Art’, featuring work by artists including Simone Post, Mae Engelgeer and Jessi Strixner. The show explores the power of textiles as a medium, with attention to tactility, transformation, sustainability and the emotional resonance of softness.
KERSGALLERY is showing a group presentation until 7 December. It features work by Florentijn de Boer, Marieke Bolhuis and Spencer Shakespeare, in which their varied approaches to colour, form and materiality come together.
Until 6 December, Galerie Stigter Van Doesburg in Amsterdam is showing the solo exhibition ‘All That Glitter’ by Elspeth Diederix, in which the artist transforms everyday objects into carefully constructed, almost sculptural tableaus shaped by tension, poetry and sensorial subtlety. Read an article about the exhibition here.
Livingstone Gallery is presenting the exhibition ‘A Force of Nature’ by Raquel Maulwurf until 6 December, a survey of her twenty-year collaboration with the gallery with a focus on recent work. In this selection of monumental charcoal drawings, Maulwurf reflects on war, ecocide and other acts of destruction caused by human hands. Read an article about the exhibition here.
At Galerie Ramakers in The Hague, the exhibition ‘Cross Collecting’ is on view until 7 December, combining work by artists such as Ton van Kints, Joost van den Toorn, Reinoud Oudshoorn, Ien Lucas and Ossip with vintage design and ethnographic objects. The exhibition demonstrates how art can enter into dialogue with diverse collecting traditions.
Until 6 December, Bildhalle is presenting the solo exhibition ‘Shimmering’ by Mona Kuhn in Zürich (and online on GalleryViewer), in which the artist brings together two series of work. The show explores how Kuhn intertwines the nude figure with modernist architecture and themes such as presence and absence, memory and imagination.
