Archiraar Gallery proposes a project around performative process.
Claude Cattelain (1972) manipulates and uses the raw material of the ordinary objects. His actions are defined by the limits of his body and follow a strict protocol.
Mélanie Berger (1979) tirelessly superposes papers and color lines, between appearing and disappearing. An alchemy arises on the rhythm of gestures and movements. Leaving the trace of their presence, they get us to understand deeply the practices they engage.