Pere Llobera fuses his visual language with layered narrative tension in Untitled (2025). In a monochrome setting, a stylised Pinocchio figure emerges, repeated in rhythmic distortion. The pink caricature conceals a biting undercurrent.
Llobera’s brushwork remains direct, his paint treatment raw and assured. This is no irony for irony’s sake but a painting that makes the deception and masquerade of our time palpable. A painterly intervention as sharp as it is unsettling.