An upside-down Christmas tree in a hallway. A distilled memory of Pere Llobera’s mother’s house. Painted in bold green outlines, the tree hovers against a brown-black background—more symbol than object.
But something feels off. The space is both flat and theatrical, as if the scene might tilt at any moment. Its simplicity makes it layered—recognisable, yet elusive. The artist loves this painting, though for others, it remains an enigma.