Invisible Choreographies brings together works by Pere Llobera, Iva Gueorguieva, John Baldessari, and David Lindberg. This exhibition explores how images do not simply appear, but rather unfold from memories that cling, decisions that direct, and a play of seduction and shift that draws the eye in. Each of these artists speaks a distinct visual language and reveals how seemingly unrelated scenes are, in fact, invisibly connected — by lines of influence, echoes from the past, and subtle suggestions.
Pere Llobera sees painting as a space for thought, where narrative tension and doubt meet. His work balances on the edge of figuration and abstraction, laced with a touch of irony. In Jaume Clotet Puppet Show, we see a man directing a basketball game with visible strings — a charged tableau where power and spectatorship converge. Llobera constructs a visual paradox: who is controlling whom? Who watches, and who is being watched? His work probes the boundary between player and pawn.
Iva Gueorguieva takes a different path: her Animal 2 pulses with chaos, expression, and raw energy. Built through layers, lines, and textures, the painting gains its force through an intuitive, layered process. Though abstract, it evokes tangible sensations. Colour and line open up internal landscapes, temporary constellations where order and elusiveness wrestle with one another. In Gueorguieva’s visual language, movement becomes a form of thought, and painting a physical choreography where control and surrender intertwine.
John Baldessari’s Intersection Series introduces a conceptual game. His collages — combining photography, film stills, graphic elements and text — disrupt meaning, rearrange it, and undermine it. Works such as Upside Down Person (With Onlooker) sharpen our awareness of perspective and interpretation. Bodies are fragmented, rotated, pulled out of context. What remains is a disorienting play that demands insight. Baldessari slows you down, invites you to look again — to reconsider what it really means