For the series Na Palma da Mão (In the Palm of the Hand), 2025, Jacqueline developed a distinctive technique using traditional Sennelier ink, opening a discourse on the interplay between the support and the supported, while recalling the surrealist method of decalcomania. The result is an idiosyncratic cosmos of layered images. Depending on the viewer’s distance, the spectator may experience a fusion between the sensations of carrying and being carried. The landscapes created by the artist’s hand give wings to the human capacity for pareidolia and imagination: a cycle of micro-oases amid a world in turmoil