New paintings on paper
I work without a preconceived plan, which may seem contradictory for someone who creates rigid geometric works. Although my work often appears rigid, it contains imperfections that add energy and humanity. In my practice, I play with form, space, geometry and colour. I am fascinated by reflection, concentric shapes, symmetry, breaking it, and the interaction between positive and negative space, as well as colour gradients.
The works on paper always arise at moments when I feel that something new is needed in my work, but I don't yet know exactly what that is. I don't start with new paintings on canvas, but first give myself complete freedom by experimenting on paper. This often leads to the creation of new painting techniques or compositions that ultimately form the basis for my paintings on canvas.
The five works I am exhibiting at Galerie Van den Berge are the result of a recent technical exploration. In this series, I investigate how I can build new compositions using transparent layers, a wet-on-wet colour technique and soft colour gradients and fades. By combining these techniques, I try to suggest a sense of space and depth, a recurring theme in my work.