The new body of work presented by Dutch-Moroccan artist Rachid Ben Ali feels profoundly tied to our present times, steeped in themes of rage, sex, and politics. In his latest works on paper, he exposes the brutal truths of our society—a factory-like sequence of actions and bodies (or objects?). The distorted expressions of humanity uncover a broader spectrum of emotions, lingering in the grey area between silent horror, spoken pleasure, and the contradictions of contemporary culture.