In these works, we are challenged to lose ourselves. The paintings refuse to present a coherent narrative. The works are layered—both in technique, imagery, and time.
They are a continuation of images constructed by AI, or fragments thereof.
This play of fragmentation, disintegration, and the incoherence of parts in relation to the whole forces us to construct our own story. Only the parts are shown.
At times, there is a reassuring sense of recognition, only to be unsettled again. Each time, it escapes us. Our eye shifts back and forth and finds no rest. There is no central point. Perspectives shift, and logic is broken. The viewer is left to rely on themselves.
Often, we see hybrid figures, human and animal, imbued with iconographic references. These works invite exploration of questions about identity and symbolism. The interaction between these ambiguous figures and their artificial environments rewrites unspoken stories and leaves much room for a mysterious, emotionally charged, and slightly surreal atmosphere.
Sometimes, there are references to history and the past, or to what remains of it in our memory. This contrasts with current pseudo-worlds—virtual and fleeting worlds, filled with contemporary scenes. Often, the current climate of escapism is the subject. These parallel, artificial, and conflicting worlds are brought together as one.
The paintings do not provide answers, but raise questions—questions that compel us to construct our own story from the fragments that are presented to us.