In his latest series Intravedere, Franco Guerzoni uses powder colors, plaster and scagliola to create works that are images you can glimpse but will never see completely.
His artistic operation, thus, is not focused on the image but on itself – a sort of tautology, a need to communicate that stratified through time, taking the shapes we see today.
“To see this, you have to turn around it, you are forced to move. And in any way, you cannot see it fully – there is always a part of it that remains hidden. I am interested in what cannot be seen” (Franco Guerzoni).