Femke’s work starts with one or more cameras and her studio, which she sees as her blank canvas. With this as her basis, she intuitively uses a range of hybrid materials, varying from canvas and paper to wood and paint to build and paint a set. Tools lying around the studio - like ladders, brushes and tape - become part of the set and are silent witnesses to the process. Continuously moving back and forth between the set and the camera, Femke makes changes to the set and manipulates it. In her search for lines, surfaces and patterns, the studio becomes a playground of sorts, in which anything can change. However, one thing never changes: the position of Femke’s camera. With this basis in place, her aim is to achieve a harmonious image in which lines flow seamlessly into each other and colourful surfaces become one and connect architectural elements.