Caroline Kryzecki’s medium is the ballpoint pen, which she exclusively uses in the four classic colors: blue, black, red and green. To a certain degree Kryzecki’s drawings, or rather paintings on paper are remnants of analog writing; calligraphy exercises with a ruler that express both the sensuality of an ornament and the meticulousness of a plan drawing. Despite their abstract character, these autonomous networks always elicit social, psychological and organic dimensions.