‘My photos are not a window to a world that you step into as a spectator. Rather, it is the other way around: that other world comes to you and takes over without being asked.' Marleen Sleeuwits (Enschede 1980) explores the boundaries between two- and three-dimensionality. Where a spatial object acquires a certain flatness, the flat surface of the photo increasingly takes shape. “For me, it's all about translating space into photography. I expose spaces, even fillet them. By always extracting one element that I am investigating, I understand them bit by bit.' That investigative aspect also takes over the viewer. By scanning Sleeuwits' work, looking for clues, you think you can get a grip on it. Only to get completely lost again in dizzying, repetitive reversals.