Those new works of the Screenlove series question our relationship to voyeurism. These blocks refer to the windows through which we looked to spy on our neighbors. It was before the internet … Today, Julien Mignot takes a close-up photograph of his computer screen connected to sexy webcams. With an analog camera, the artist deliberately produces a blurry and incomplete image. By getting close to bodies to the point of drowning the pixels, he distorts the appearance of real scenes captured. This photograph, mounted under a translucent and solid monolith, hides from our gaze. The spectator becomes voyeur, seeks the right angle. If he looks at the work from the edge, the subject disappears, disconnects and remind us the emptiness of the digital relationship.