Nour-Eddine Jarram's series En Plein Soleil usually feature on the one hand, carefree tourists enjoying the sun, and on the other, street vendors who try to sell their goods to them to survive. In this work he depicts labourers on of the cotton plants in Madagascar that are run by Chinese investors. The local population is thus plunged into a routine of hard labour comparable to a form of modern, economic slavery.