The work is conceived as two symmetrical bodies, consisting of steel armatures and a padded silicone envelope, which metallic skin complexion might evolve from warm copper and golden bronze to cold blue and green through irreversible oxidation.
The two soft forms, comfy and functional seats, yet induce a sense of discomfort. Indeed, the morbid aesthetic of the fleshy objects disrupts the distinction between living and non-living, reflecting upon our domination of the material and animal world.